A Quote by Afeni Shakur
I think that Tupac was the trendsetter, the high mark. What we hope his music will continue to do is to at least encourage people away from mediocrity, because he was not a mediocre artist. When he was alive, people competed. There was a lot of competition, and a lot of the artists were better for it.
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Artists no longer starve in garrets. Some people may think this is not wholly a good thing, that being an artist has become too comfortable, at least in the West. I'm not sure I agree. It's a mark of civilization to encourage the arts and the life of the mind.
I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.
I like a lot of artists but I think the one that touched me the most was probably Tupac, coming up. Cause that was my generation, so Tupac was mine.
Regular people don't even realize how much artists mean to them. Artists represent a lot to the average person. People listen to music all day on their iPods, so as artists, we become a real fixture in people's lives. As an artist, you can't take it personal. It's like your big brother teasing you.
A lot of people, Lady Gaga and Katy Perry and a lot of people have written for other people, and of course Bruno Mars. So I think it's a great way to break into the industry and show people what you can do and show them your talent and people tend to listen a little differently to your own music as an artist, when you've proven yourself as a good songwriter for other artists.
The music business has changed so much. Collaborations are all over the Internet. The young people are keeping the old school alive. A lot of them run out of ideas so they grab these songs that we've had out for 50 years and bringing them back and making people rich again. That's a nice thing. A lot of artists don't have incomes after a certain time in their life because nobody's is buying the songs. This revival of their music has taken a lot of writers out of the poor house.
With Biggie, I thought his flow and his swag was better than Tupac's, but I thought Tupac's passion and ability to relate to the average person was better than Biggie, and I thought Nas was kind of like both, with a lot substance going but a lot of swag.
Everybody has the Tupac that they admire. Certain people love the hip-hop person, the rapper. Strictly just the rapper. A lot of people, the newfound Tupac fans... they're into Death Row-era Tupac. But that was only nine months!
I paved the way for a lot of white artists now that don’t have to deal with the stigma of being a white artist. I don’t think that people would be as open for non-African American artists like that if it I didn’t take a lot of the slack for them.
I believe I can bring a lot because I am totally different to a lot of people in the Premier League. That is the way I have seen it and I will continue to keep plugging away and working hard.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
I think the entrepreneurial activities that make art visible and attractive are what lure people into the amusement park that SoHo has become or that Bushwick or Williamsburg has become. It's not that outsiders come to an area because they hear artists are living there. A lot of people came who were not that interested in living with artists, but they were interested in living like artists and socializing the way that they thought artists socialized.
It's important to at least break through many of the conventional approaches. I'm not sure my way is better. I will say it's a new alternative, at least. I think my personal contribution over the last 25 years has really been to give a lot of young entrepreneurs a lot of hope: Acer can, they can. Stan can, they can.
The artists always reflect the times, so there's a lot to think about, a lot of unknowns, a lot of things that are describable. This is the closest I've seen to the kind of ambience that made the '60s happen. It's not about the artist having a responsibility to do anything. They have to be artists and express themselves and everything will work out fine.
We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free. If your music winds up on Napster and you approve of it, then the person downloading your music should at least go to your concert, should at least purchase your songs.
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