A Quote by Afeni Shakur

All we ever wanted was for Tupac to have the opportunity to tell his story. — © Afeni Shakur
All we ever wanted was for Tupac to have the opportunity to tell his story.
I wanted to tell, in Hebrew, about my father who sat in jail for long years, with no trial, for his political ideas. I wanted to tell the Israelis a story, the Palestinian story.
My dad's Nigerian, and I remember going to Nigeria, and all of these kids and adults and everyone in-between knew who TuPac was. They had TuPac t-shirts, TuPac posters, TuPac cassettes... everyone knew TuPac, and sometimes that was the only English that they spoke, was TuPac lyrics.
Tupac is definitely an icon. There'll never be another Tupac, so I'm not gonna ever, ever try to fill those shoes. I'm just gonna stay in my lane and be the best me that I can be.
I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell.
I didn't want to tell the story of what makes two people come together, although that's a theme of great power and universality. I wanted to find out what it takes for two people to stay together for fifty years -- or more. I wanted to tell not the story of courtship, but the story of marriage.
I love 'Memory Keeper's Daughter,' but in some ways I think 'The Lake of Dreams' is a stronger book. I was able to tell the story I wanted to tell. That's all you can ever do as a writer. From there on you have no control over it.
As far as Rap goes Tupac was my favorite, I used to sing some of his songs in my set before I ever met his dad.
I worked with Ice-T, Ice Cube, and Tupac! But Tupac was the sweetest man in the world. That whole thug thing was an act - it was silly and dumb. He was a complete gentleman and one of the kindest men I've ever met.
I feel like a lot of us have a story to tell, it's just that we don't get the platform or the access or the opportunity. I don't know how the goddesses and gods and the stars aligned. I got the opportunity, and I do have to note that a Hispanic woman gave me that opportunity.
I wrote 'Twenties' back in 2009. I always wanted to tell a story where a queer black woman was the protagonist, and I'm so grateful to TBS for giving me a platform to tell this story.
If there's an opportunity to tell a story through acting or directing or cinematography or a book, I will embrace that opportunity.
A story must be told in such a way that it constitutes help in itself. My grandfather was lame. Once they asked him to tell a story about his teacher. And he related how the holy Baal Shem used to hop and dance while he prayed. My grandfather rose as he spoke, and he was so swept away by his story that he himself began to hop and dance to show how the master had done. From that hour he was cured of his lameness. That's how to tell a story.
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
I think up to this point, it's been difficult to suggest a world where Batman and Superman and Wonder Woman and others could exist in the same universe. That was one of the things I really wanted to try and get at. Not to mention, the amazing opportunity to bring those characters and have those characters tell an important story, their own story, within the confines of a film.
I wonder what it is that the people who criticize me for telling this story truly object to: is it that I have dared to tell the story? Or that the story turns out not to be the one they wanted to hear?
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