A Quote by Afrika Bambaataa
Everybody needs to show respect to each others' ways and the cultural life that you get on this planet. Don't get caught up on 'I'm brown, black, white, red, blue, whatever.' You gotta ask, what were you called before 1492? All these names we're using now are just an illusion made to keep us fighting each other.
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Don't get caught up on 'I'm brown, black, white, red, blue, whatever.' You gotta ask, what were you called before 1492? All these names we're using now are just an illusion made to keep us fighting each other.
We tried so hard. We were always trying to help each other. But not because we were helpless. He needed to get things for me, just as I needed to get things for him. It gave us purpose. Sometimes I would ask him for something that I did not even want, just to let him get it for me. We spent our days trying to help each other help each other. I would get his slippers. He would make my tea. I would turn up the heat so he could turn up the air conditioner so I could turn up the heat.
Conflicts, even of long standing duration, can be resolved if we can just keep the flow of communication going in which people come out of their heads and stop criticizing and analyzing each other, and instead get in touch with their needs, and hear the needs of others, and realize the interdependence that we all have in relation to each other. We can't win at somebody else's expense. We can only fully be satisfied when the other person's needs are fulfilled as well as our own.
I look at some of the great novelists, and I think the reason they are great is that they're telling the truth. The fact is they're using made-up names, made-up people, made-up places, and made-up times, but they're telling the truth about the human being- what we are capable of, what makes us lose, laugh, weep, fall down, and gnash our teeth and wring our hands and kill each other and love each other.
The foundation of all human knowledge, the beginning of human consciousness, must be that each and every one of us is an object of love. Before you know if you have red hair or brown, before you know if you are black or white, before you know of what religion you are a part, you have to know that you are loved
We ask you to help us work for that day when black will not be asked to get in back, when brown can stick around... when yellow will be mellow... when the red man can get ahead, man; and when white will embrace what is right.
I'm from New Orleans, Louisiana. It's not a black-and-white type of thing down there. It's a very cultural place. Everybody has the same accent. It's not like if you're white we can't hang with you or anything like that. So it's easy for us to call each other out on our things.
And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
It was the nature of our relationship to be lusty and emotional, earthy and raw. The trust that held us together also opened us up to each other in ways that made us both vulnerable and dangerous. And it would get worse before it got better.
There's a brotherhood with the specialists. There's not many of them and we don't get any respect, so we have to show a little respect for each other. We have to help each other out if we have the opportunity.
I've always said that: 'We as black people, if you want respect, you have to give each other respect.' You can't demand respect from white people and the cops if we don't respect each other.
At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.
We just didn't put any pressure on each other, and I think that everybody needs somebody, and I didn't do it to try to do it; it's what we [with Nina Simone] were to each other.
The coaches hate each other, the players hate each other... There's no calling each other after the game and inviting each other out to dinner. But the feeling's mutual: They don't like us, and we don't like them. There's no need to hide it, they know it, and we know it. It's going to be one of those black and blue games.
Every color I can think of and nationality, we were all touched by Dr. King because he made us like each other and respect each other.
A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.
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