A Quote by Afrika Bambaataa

I've got headdresses and robes from all over: I am the mystery of everybody's story. — © Afrika Bambaataa
I've got headdresses and robes from all over: I am the mystery of everybody's story.
Ultimately, if you think about all the youth that everybody has mentioned here in Africa, if everybody is raising living standards to the point where everybody has got a car and everybody has got air conditioning, and everybody has got a big house, well, the planet will boil over - unless we find new ways of producing energy.
The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
Writing a mystery is more difficult than other kinds of books because a mystery has a certain framework that must be superimposed over the story.
Each story presents a mystery that has to be solved in the process of writing. When I'm at work on a story, I'm completely immersed in that world and in the lives of those characters; they're utterly real to me. Then, when I've completed the story, it all just falls away. The whole compulsion to understand is over.
The fundamental difference between the mystery story and the ghost story is the fact that a mystery demands a solution for its effectiveness; a ghost story is necessarily unsolvable; the reader must be willing to accept the fact that nothing is proved.
We don't tend to ask where a lake comes from. It lies before us, contained and complete, tantalizing in its depth but not its origin. A river is a different kind of mystery, a mystery of distance and becoming, a mystery of source. Touch its fluent body and you touch far places. You touch a story that must end somewhere but cannot stop telling itself, a story that is always just beginning.
I am gonna write poems til i die and when i have gotten outta this body i am gonna hang round in the wind and knock over everybody who got their feet on the ground.
Everybody's got one killer story. It doesn't take talent to tell that story, it just takes experience.
There's no success story. Everybody's got a ghetto story. You always want to make it bigger than what it is.
I always have the best story at the party. Anyone telling a story at a party is like, 'No, no, you've got to listen to my story!' I'm like, 'Step aside, everybody. I'm going to blow the doors off this place.'
'Run' is exciting, about family secrets, the mystery surrounding them and the outdoor sport of parkour. The story itself is full of intrigue and action, but the parkour takes the story to another level. It was an absolutely incredible experience, working with experts from all over the country.
She was the most wonderful woman for prowling about the house. How she got from one story to another was a mystery beyond solution. A lady so decorous in herself, and so highly connected, was not to be suspected of dropping over the banisters or sliding down them, yet her extraordinary facility of locomotion suggested the wild idea.
I am entirely on the side of mystery. I mean, any attempt to explain away the mystery is ridiculous. I believe in the profound and unfathomable mystery of life which has a sort of divine quality about it.
There's a lot of mystery just inherent in the story of 'Descender.' There's sort of a central mystery that runs throughout it.
The cross stands as a mystery because it is foreign to everything we exalt- self over principle, power over meekness, the quick fix over the long haul, cover-up over confession, escapism over confrontation, conform over sacrifice, feeling over commitment, legality over justice, the body over the spirit, anger over forgiveness, man over God.
Everybody is special. Everybody. Everybody is a hero, a lover, a fool, a villain. Everybody. Everybody has their story to tell.
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