A Quote by Afrojack

Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
Holland was one of the first countries to adopt dance music into their culture, and we were the first ones to have really big raves. I grew up in that atmosphere in the early 1990s, and I was very interested in how dance music was made.
Holland is to dance music what Nashville is to country.
I'm a shareholder in three networks in Holland. That allows me to put ideas that we create in Holland on air in Holland, and if it works, then we distribute the show's format globally.
I would have been happy to play in Holland for a big club, but I can see the point of selling me to an English club. It's very simple: Dutch clubs are not going to spend £16m on a player like me.
The first writers I knew about were Motown's Holland-Dozier-Holland.
[The Dutch] people want [refugees to be safe] but don't come here. And don't forget, people are very angry about that, that most of the people who came to Holland were younger people, often young men who crossed before coming to Holland six of seven safe countries in order to be in Holland. If they just wanted to be safe, they would have stopped at Turkey or maybe if you find Turkey unsafe, in Greece.
My dad would take me to judo a few times a week. I got all these things that I was able to do once we were set up in Holland. Everything was taken care of. I think Holland is a country that takes care of their people - one of the best countries in the world.
I played in every single bar and small club in Holland and I've been DJing and producing for more than 12 years.
When you leave a big club and go on loan to a small club in Holland it is not easy. But I am a footballer and I have to be professional about my job.
I was born in Holland, Rotterdam, and lived there most of my life. I started my acting career there, but to really be successful, I left Holland and came to the U.S.
I think Amsterdam is to Holland what New York is to America in a sense. It's a metropolis, so it's representative of Holland, but only a part of it - you know, it's more extreme, there's more happening, it's more liberal and more daring than the countryside in Holland is.
I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
I'm kind of well-known in Holland, which is nice. But in Holland, we're down to earth; there are no paparazzi in my garden and no autograph hunters at the door. We have 'Strictly Come Dancing,' but I've not been asked.
When I lived in Holland, it was a lot of television, watching Netflix all the time. You eat at 6 o'clock, 7 o'clock, you are finished at 8, and then you go lay down. You rest. That's what I did in Holland.
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