A Quote by Agatha Christie

That is what I mean. A bath! The receptacle of porcelain, one turns the taps and fills it, one gets in, one gets out and ghoosh - ghoosh - ghoosh, the water goes down the waste pipe!" "M. Poirot are you quite mad?" "No, I am extremely sane.
Mania can be as terrifying as it gets. It is certainly as insane as one gets and so it's frightening when it gets out of control, but there are periods of mania when it can be extremely attractive.
--Why are we fighting them? --They're mad. We're sane. --How do we know? --That we're sane? --Yes. --Am I sane? --To all appearances. --And you, do you consider yourself sane? --I do. --Well, there you have it. --But don't they also consider themselves sane? --I think they know. Deep down. That they're not sane. --How must that make them feel? --Terrible, I should think. They must fight ever more fiercely, in order to deny what they know to be true. That they are not sane.
I'm never going to believe a Poirot mystery again. Never. All those witnesses going, "Yes, I remember it was 3:06 p.m. exactly, because I glanced at the clock as I reached for the sugar tongs, and Lady Favisham was quite clearly sitting on the right-hand side of the fireplace." Bollocks. They have no idea where Lady Favisham was, they just don't want to admit it in front of Poirot. I'm amazed he gets anywhere.
If a farmer fills his barn with grain, he gets mice. If he leaves it empty, he gets actors.
Inside every sane person there's a madman struggling to get out," said the shopkeeper. "That's what I've always thought. No one goes mad quicker than a totally sane person.
Christians should live in the world, but not be filled with it. A ship lives in the water; but if the water gets into the ship, she goes to the bottom. So Christians may live in the world; but if the world gets into them, they sink.
Discipline yourself. Be conscious of what you think, and what you like. What gets you mad? What gets you in your feelings? Figure that stuff out and take control of it so nobody else can control you.
I remember watching an episode of 'Seinfeld' in which George can't understand why security guards can't sit down. He gets obsessed with it and eventually buys a chair for a security guard who sits down and goes to sleep. The shop gets robbed. That's a brilliant extrapolation of what is essentially observational comedy.
I think that nobody gets mad at me anymore, no matter what I say, because I don't think I'm mean. I am interested in what's next.
As a person gets older, time gets more interesting. As a kid, you waste so much of it.
My name is Stephen Leeds, and I am perfectly sane. My hallucinations, however, are all quite mad.
At first, when a child meets something that scares him, the fear grows, like a wave. But when he goes into the water and swims - gets used to the water - the wave grows small. If we pull the child away when the wave is high, he never sees that, never learns how to swim and remains afraid. If he gets a chance to feel strong, in control, that's called coping. When he copes, he feels better.
I am an actor who gets into a role only when the director says 'action' and gets out of it with 'cut.'
He comes into the world God knows how, walks on the water, gets out of his grave and goes up off the Hill of Howth. What drivel is this?
One of the ideas that was developed at MIT in a workshop was, imagine this pipe, and you've got valves, solenoid valves, taps, opening and closing. You create like a water curtain with pixels made of water. If those pixels fall, you can write on it: you can show patterns, images, text.
The Sea of Galilee and the Dead Sea are made of the same water. It flows down, clean and cool, from the heights of Herman and the roots of the cedars of Lebanon. the Sea of Galilee makes beauty of it, the Sea of Galilee has an outlet. It gets to give. It gathers in its riches that it may pour them out again to fertilize the Jordan plain. But the Dead Sea with the same water makes horror. For the Dead Sea has no outlet. It gets to keep.
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