A Quote by Agnes de Mille

great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.
I don't want to write a mass before being in a state to do it well, that is a Christian. I have therefore taken a singular course to reconcile my ideas with the exigencies of Academy rules. They ask me for something religious: very well, I shall do something religious, but of the pagan religion. . . . I have always read the ancient pagans with infinite pleasure, while in Christian writers I find only system, egoism, intolerance, and a complete lack of artistic taste.
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
Changing things is not easy, and I say this without any irony. It is not that someone does not want to, but because it is a hard thing to do. Take Obama, a forward-thinking man, a liberal, a democrat. Did he not pledge to shut down Guantanamo before his election? But did he do it? No, he did not. And may I ask why not? Did he not want to do it? He wanted to, I am sure he did, but it did not work out. He sincerely wanted to do it, but did not succeed, since it turned out to be very complicated.
I knew I could play well on the grass, but I really played so well today. I knew exactly what I had to play to beat her. I just did everything I could in the moment. I was very focused for every point. I knew that I had to go forward for every shot I was playing to push her back, and yeah, I did it.
Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
But the question to precede all others, which finally determines the course of our lives is What do I really want? Was it to love what God commands, in the words of the collect, and to desire what He promises? Did I want what I wanted, or did I want what He wanted, no matter what it might cost?
I did not know there was any controversy. I don't get a lot of time to read the fan forums, etc. I was thrilled to have the opportunity to have more storylines. I was just so happy to step in and pick up some of the slack for Emily while she was pregnant. It was so important for Emily to concentrate on her health and the well-being of her baby. In the end ... she is a great mother and her baby is adorable. I did not realize there was any controversy. LOL!
Every year, I laid out a strategy of what I was going to do, and I was very successful. In 2003, I wanted to take the world by storm, and I did that indoors. In 2004, I wanted to run fast; I did that. In 2005, I wanted to be dominant, and I did that as well.
Being Jewish, you didn't get into a sorority. So I really was much more outgoing and gregarious. I really didn't want to spend an Emily Dickinson adolescence reading poetry on gravestones, which I did.
I heard a lot of scripts after 'Hero' but did not get that wow feel. It was more of a package comprising four songs, four action sequences etc. I did not want to do that because I was looking for a story in a real kind of space.
Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
I was spectacularly average at school, while my two brothers did really well academically. But my dad never said I didn't try hard enough. He knew I did my best.
So I hope to stretch my acting skills. I got to a point in my dancing where I felt like I did so much hard work and I achieved a lot of great things, and I wanted to try something else and put that same kind of commitment that I did into my dancing into something that I was also passionate about. I had so many opportunities with my dance and now I'm just excited to get better as an actress.
The Nothing is spreading," groaned the first. "It's growing and growing, there's more of it every day, if it's possible to speak of more nothing. All the others fled from Howling Forest in time, but we didn't want to leave our home. The Nothing caught us in our sleep and this is what it did to us." "Is it very painful?" Atreyu asked. "No," said the second bark troll, the one with the hole in his chest. "You don't feel a thing. There's just something missing. And once it gets hold of you, something more is missing every day. Soon there won't be anything left of us.
You only get so much time to do something that you enjoy or love to do. If you can continue doing it, you might as well, because I don't want to live in regret. I don't want to be the person sitting behind a desk, wondering, 'Did I do it right, did I finish it off, did I really give it my all?'
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