A Quote by Agnes Denes

What I did for my last act as a painter, if you call me a painter, was to photograph the weave of the canvas, and enlarge it and enlarge it until it became like a landscape.
I'm a painter. I'm still a painter and I will die a painter. Everything that I have developed has to do with extending visual principles off the canvas.
I use different media, but I still think as a painter. I organize my forms and colors on a screen like a painter does on a canvas.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
My father, a ruined dandy from the South, had been reduced to keeping a small harness-repair shop and, when that failed, he became ostensibly a house-and-barn painter. However, he did not call himself a house-painter. The idea was not flashy enough for him. He called himself a "sign-writer.
Take away a painter's vanity, said a famous landscape painter, and he will never touch a pencil again.
If people call me a Sunday painter I'm a Sunday painter who paints every day of the week!
Growing up, my mom was a painter, my best friend was a painter, my husband is a painter. For a long time I knew artists, and I didn't know any writers.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.
At a certain moment the canvas began to appear to one American painter after another as an arena in which to act-rather than as a space in which to reproduce, re-design, analyze or express an object, actual or imagined. What was to go on the canvas was not a picture but an event.
If you want to enlarge your life, you must first enlarge your thought of it and of yourself.
The present is always unsettled, no one has had time to contemplate it in tranquillity . I was a painter before I was a writer and a painter never wants the subject right under his nose; he wants to stand back and study a landscape with half-closed eyes.
Generally, when I tell people I'm a painter, they ask me if I have a card: 'Yes, we'd like this room in this color.' I still might get cards that say 'Mark Bradford. Painter.'
Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.
The student's ambition should be to become a painter's painter, rather than a popular painter. The approbation of fellow artists based on sympathy and understanding is manifestly better than the fickle or fast homage of the greater public.
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