A Quote by Agnes Gund

Women artists, no matter how well recognized they are, are seldom given solo exhibitions or featured in significant group shows. They are never top-ranked in auction choices.
I think if you're trying to be mindful of eating well on the road, it can be difficult no matter what. Your choices at midnight or one o'clock in some of the smaller towns when we are getting out of shows aren't going to be the best choices for eating healthy no matter what your dietary choices or restrictions are.
The current climate doesn't represent a threat to the production of art but to the market. I think it's time for artists to get over auction houses, galleries, and high-production-value exhibitions and start using our voices again.
The modern challenge to motherhood is the eternal challenge--that of being a godly woman. The very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom to we hear of a godly woman--or of a godly man either, for that matter. I believe women come nearer to fulfilling their God-given function in the home than anywhere else.
I think by having solo projects, it allows us to expand our music range. There's a type of music and concept we can do as a group and do as solo artists.
Black women, whose experience is unique, are seldom recognized as a particular social-cultural entity and are seldom thought to be important enough for serious scholarly consideration.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
Scott has to be one of the most talented artists I've ever seen. He really captures his subjects in a unique way. He is extremely generous as well. How many artists are willing to donate some of their best works to charity? The Texas Sports Hall of Fame has benefited greatly from Medlock's donated paintings, which are the cornerstones of our auction!
We need some rules changes. This is an outrage that this, the oldest democracy has now, you know, ranked - when I say ranked 59th, it means that in the percentage of women, in our national parliament, our National Congress, is now ranks 59th from the top. That means 58 countries have more women than we do in percentage wise.
We're long past having to defend or explain why women should be on boards, given all the data that shows how companies with female as well as male directors perform better. It's unfortunate when companies with a large percentage of women constituents don't reflect that in their boardrooms.
Facilitative attitudes (and skills) can help a therapist gain entry into the group Freedom from a desire to control the outcome, and respect for the capacity of the group, and skills in releasing individual expression Openness to all attitudes no matter how extreme or unrealistic they may seem Acceptance of the problems experienced by the group where they are clearly defined as issues Allowance of the freedom of choices in direction, either for the group or individuals particularly in the near future
I got to the point where I'd featured on songs; I'd done backing singing for major artists. I'd done all these shows, but it was always for other people.
The reality is we are still ranked 10th and we are playing a team ranked second in the world who are playing at the top of their game and are at home.
When the pop culture is littered with TV shows that portray men as rapists, brutes and predators and women as the never ending victims no matter how much power they acquire, no matter how much the decks are stacked in their favor politically, they're still portrayed as weak and victims and not fairly paid and so forth. And all men want to do is get along.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheating. I want to see shows with my own eyes, making my own mistakes, viewing exhibitions the way most of their audience sees them.
When I was 17, I met many artists, and it started to become this conversation with artists out of which all of my exhibitions grew.
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