A Quote by Agnes Martin

My paintings are not about what is seen. They are about what is known forever in the mind. — © Agnes Martin
My paintings are not about what is seen. They are about what is known forever in the mind.
Some people don't understand that it is the nature of the eye to have seen forever, and the nature of the mind to recall anything that was ever known.
I have no ideas about what the paintings imply about the world. I don't think that's a painter's business. He just paints paintings without a conscious reason.
I've known Donald forever, and I know the bad things they say about Donald Trump is not true because I've known him as a friend for so long. I've seen what he's done for all types of people. I know how many people call him a racist and all this, and it just makes me sick because he's not.
I have seen the truth. It is not as though I had invented it in my mind. I have seen it, SEEN IT and the living image of it has filled my soul forever.
Successful brands get into the mind slowly. A blurb in a magazine. A mention in a newspaper. A comment from a friend. A display in a retail store. After a slow buildup, people become convinced that they have known about the brand forever.
A role is a role where I play someone else, but when it comes to paintings, it is me. It is unadulterated Shefali and there is no control and I can let go. I am unabashedly unapologetic about it. That is what is interesting about my paintings.
Everything is ecstasy inside. We just don't know it because of our thinking-minds. But in our true blissful essence of mind [it] is known that everything is alright forever and forever and forever.
To the extent I am known, I think I am known as a person who expresses his opinion freely about things - and I was sensitive to the possibility that if I was seen taking money for saying nice things about a product, my comments and choices and opinions would become, understandably, suspect.
Hyperrealism is more about objectifying... how an object can be portrayed when it is seen through a camera's lens... all my paintings are about an object being viewed through human eyes.
The supreme question about a work of art is out of how deep a life does it spring. Paintings of Moreau are paintings of ideas. The deepest poetry of Shelley, the words of Hamlet bring our mind into contact with the eternal wisdom; Plato's world of ideas. All the rest is the speculation of schoolboys for schoolboys.
Suddenly, there was an enormous flash of light, the brightest light I have ever seen or that I think anyone has ever seen. It blasted; it pounced; it bored its way into you. It was a vision which was seen with more than the eye. It was seen to last forever. You would wish it would stop; altogether it lasted about two seconds.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
Your mind makes out the orange by seeing it, hearing it, touching it, smelling it, tasting it and thinking about it but without this mind, you call it, the orange would not be seen or heard or smelled or tasted or even mentally noticed, it's actually, that orange, depending on your mind to exist! Don't you see that? By itself it's a no-thing, it's really mental, it's seen only of your mind. In other words it's empty and awake.
You go to Florence and all the paintings you've seen in books are there. To see them in real life, it just blows your mind.
What about the rest of your life?" She shrugged. "What about it?" "Aren't you worried about, like, forever?" "Forever is composed of nows," she says.
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