A Quote by Agnes Martin
What I say is that we're capable of a transcendent response, and I think it makes us happy. And I do think beauty produces a transcendent response.
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Art doesn't have the stench of a community program. It's transcendent. It is transcendent of morality and transcendent of political position. It is absolutely free. It is the community center.
It's like wine and food, or coffee and a pastry - coffee's awesome and a chocolate croissant is awesome, and together, they're transcendent. To me, music is the same way. Chris Stapleton is transcendent. Julien Baker is transcendent. Together, they're going to be euphoria.
All I've done is put into words what all of us are about. We're now at the archetypal stage of being ready to move from a material to a transcendent world view of culture. I'm only articulating what dwells in the consciousness of a good part of the masses now. That's why the response.
Beauty is transcendent. It is our most immediate experience of the eternal. Think of what it's like to behold a gorgeous sunset or the ocean at dawn. Remember the ending of a great story. We yearn to linger, to experience it all our days. Sometimes the beauty is so deep it pierces us with longing. For what? For life as it was meant to be. Beauty reminds us of an Eden we have never known, but somehow our hearts were created for.
In the Old Testament, the God of the Prophets never was completely on Israel's side. There was a primitive national religion, but it was always a transcendent God who had judgment first in the House of God. This is the true religion. It has a sense of a transcendent majesty and a transcendent meaning so that that puts myself and the foe under the same judgment.
When we're talking about the "American response" to any disaster, it's not just a government response, an official response, it's a popular response.
Americans do not want to think that there is an alternative to what we have. Therefore, as soon as you say 'fascism' or whatever it might be, then the American response is to say 'no' because we lack the categories that allow us to think outside of the box that we are no longer in.
Although sometimes the morbid is also the transcendent, the transcendent cannot be reduced to the morbid.
Your mind, in order to defend itself starts to give life to inanimate objects. When that happens it solves the problem of stimulus and response because literally if you're by yourself you lose the element of stimulus and response. Somebody asks a question, you give a response. So, when you lose the stimulus and response, what I connected to is that you actually create all the stimulus and response.
I think most of us maintain some sort of fantasy in our minds that we are heroes, if only secretly, that we could really be amazing if only given a chance. That we could all be loved one day. You can always think of yourself as being transcendent or heroic. I think we all are.
The human response it calls for is truly heroic, requiring nothing short of rewiring the entire planet with a new generation of clean-energy technologies - and doing that very soon... Are we, as a species, capable of that kind of deliberate global response?
When you vaccinate someone, or when you get infected, the microbe is presenting itself to the immune system in a way that the immune system recognizes the important elements of the microbe and makes an immune response, both an antibody response and a cellular response, to ultimately contain the microbe.
When you are surrounded by something so big that requires you to change everything about the way you think and see the world, then denial is the natural response. But the longer we wait, the bigger the response required.
Now how do we cultivate an aggressive response? I think the answer is indignation... Your response, if attacked, must not be fear, it must be anger.
I think the idea of the social construction of beauty - this idea that beauty is simply whatever culture or society says it is - is on the run. Of course, beauty does arise in a cultural context. No one ever denies that. But there's also a natural response people have to it.
'Die a Happy Man' was one of those that, when I wrote it and sent it to my label, their response was, 'This is a career record.' I was like, 'Why do you think that?' I think the stars aligned.
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