A Quote by Agnes Martin
I want to emphasize the fact that we all have the same experience and the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly. Once he sees this fact his feet are on the path. If you want to know the truth you will know it. The manipulation of materials in an artwork is a result of this state of mind. The artist works by awareness of his own state of mind.
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Any material may be used but the theme is the same and the response is the same for all artwork... we all have the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly.
Any material may be used but the theme is the same and the response is the same for all artwork... we all have the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
At the very outset I have to tell you that truth is what it is. You cannot mold it, you cannot change it. It is always the same. It has been the same, it is the same, it will be the same. But to say that we know the truth and that we have the truth is really a self-deception. If you had known the absolute truth there would have been no problems and everybody would have said the same thing. There would be no discussions, no arguments, no fights and wars. But when we don't know the absolute truth then we can find out our own mental conceptions as the truth. But this mind is so limited.
I cannot draw a human figure if I don't know the order of his bones, muscles or tendons. Same is that I cannot draw a human face if I don't know what's going on his mind and heart. In order to paint life one must understand not only anatomy, but what people feel and think about the world they live in. The painter who knows his own craft and nothing else will turn out to be a very superficial artist.
To achieve that state of lasting happiness and absolute peace, we must first know how to calm the mind, to concentrate and go beyond the mind. By turning the mind's concentration inward, upon the self, we can deepen that experience of perfect concentration. This is the state of Meditation.
In the East we call this state meditation: no belief, no thought, no desire, no prejudice, no conditioning - in fact, no mind at all. A state of no-mind is meditation. When you can look without any mind interfering, distorting, interpreting, then you see the truth. The truth is already all around; just you have to put your mind aside.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
We all know that Art is not truth. Art is a lie that makes us realize truth at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.
Truth has no path. Truth is living and, therefore, changing. Awareness is without choice, without demand, without anxiety; in that state of mind, there is perception. To know oneself is to study oneself in action with another person. Awareness has no frontier; it is giving of your whole being, without exclusion.
If you paint the leaf on a tree without using a model, your imagination will only supply you with a few leaves; but Nature offers you millions, all on the same tree. No two leaves are exactly the same. The artist who paints only what is in his mind must very soon repeat himself.
A work of art is a work of order, and if the artist is to put the stamp of his own mind on his work, he must arrange, modify, and dispose of his materials so that they may appear in a more agreeable and beautiful manner than they would have assumed without his interference.
The difference between the truth of God and revelation is very simple. Truth is where God's been. Revelation is where God is. Truth is God's tracks. It's His trail, His path, but it leads to what? It leads to Him. Perhaps the masses of people are happy to know where God's been, but true God chasers are not content just to study God's trail, His truths; they want to know Him. They want to know where He is and what He's doing right now.
I hate the fact you always feel like you have to be going somewhere, like the end destination is to be finished, or to be happy. But the truth is a lot of us are completely lost, and we don’t know, and that is also a state of mind, to not know who you are and where you’re going.
Thus we cannot escape the fact that the world we know is constructed in order to see itself. This is indeed amazing. Not so much in view of what it sees, although this may appear fantastic enough, but in respect of the fact that it can see at all. But in order to do so, evidently it must first cut itself up into a least one state which sees, and at least one other state which is seen.
The whole world, from the least to the greatest, must know the truth, so that man may understand the great laws that govern his life. He must learn to control his own destiny, to heal his own body and bring happiness to his own soul.
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