A Quote by Agnes Obel

Everything that has a spare piano is 'like Satie' and everything with strings is 'filmic,' Sometimes I get annoyed when they say my stuff sounds 'like Satie'. No, it doesn't. At least, I don't think so.
All my writing, I always do it in the studio, 'cause everything sounds good. The piano's there, the keyboards; if you want to put strings on something... And everything sounds good when it's in the cans; it sounds killer.
There is a complexity and layering that goes on with this kind of thing, so the music is slightly repetitive and when I say repetitive it's in the same tradition as people like Steve Reich or Erik Satie or even WC.
Erik Satie does not say the opposite of Debussy; he says the same thing only the other way round.
I tend to listen to the classical composers: Rachmaninov, Satie.
I've been listening to quite a lot of classical music like Erik Satie, and quite a lot of blues.
I feel like with everything you do, everything you make, everything you experience, y'know, even the dumb stuff that you don't even really pay much attention to, like the mundane stuff that happens to you every day, it shapes the person who you are.
Everything is so computerized these days and it's all edited and everything. Everything sounds so perfect, and we just want to be a band that sounds like a band.
I feel like sometimes I'm so positive and sometimes I think the worst of everything or I think the worst is going to happen. It's how I deal with stuff day-to-day, it's just how I get by really, and it's probably not the best way to be.
I can play piano, and I write everything on piano, but I don't really feel like a piano player, necessarily.
I think I approach my choices much the way I approach the way I consume movies and TV and stuff. I like everything, and sometimes I'll feel like a horror movie, and sometimes I'll just feel like an episode of 'Hoarders.'
I have everything and I have nothing. Sometimes I feel like the loneliest man on the planet. All this stuff and no one to share it with. And then when women come along, I wonder if they like the stuff more than me.
It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.
Everything gets horrible. Everything you see gets ugly. Lurid is the word. Doctor Garton said lurid, one time. That's the right word for it. And everything sounds harsh, spiny and harsh sounding, like every sound you hear all of a sudden has teeth. And smelling like I smell bad even after I just got out of the shower. It's like what's the point of washing if everything smells like I need another shower
I feel like there's just so much of everything that I don't know what people have heard and what they haven't heard. I think with the fact that there's the Internet and that people can share home-made recordings, I think a lot of the songs do get to be heard, even if it's not the best quality, or there's clinking glasses or it's just piano and voice, people can at least hear the song.
When I was younger, I used to do that a lot: I would hear a part of a song that would really relax me and then put it on repeat. That would send me to sleep. It was quite obvious classical music, people like Penguin Cafe Orchestra, Erik Satie, Claude Debussy, Maurice Ravel.
I was raised in an atmosphere of 'everything's fine.' But as I got older, I was like, 'Well no, everything's not fine. There is stuff that's sad.' I am a really sensitive person. I think I am too sensitive sometimes.
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