A Quote by Agnes Obel
I used to get very nervous before a concert. It's okay when you are in a band. You can kind of disappear. But when it's just you... yes, that was difficult. I would not say it is easy now. But when you do it for a long time, you do learn to cope.
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We are nervous before every concert. I think we are the most nervous band in the world.
I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.
I have this rubber band that I have all the time on my wrist, and sometimes when I get nervous or anxious, I'll do this twiddle thing with my finger and I'll snap the rubber band. A lot of people use rubber bands to cope with things like anxiety and depression and addiction.
For me, it's about risk taking, taking things in new directions. Because every single time, no matter how much you learn, you can never say, "Okay, I did the hardest thing I ever did. I'm prepared now. Now it's going to be easy." Of course it's not easy.
If I've learned anything, it's there's just no drama, which is awesome. I've also just learned to read when it's a good time to talk about something serious and when it's not. And whenever I start to have a conversation with them, and I kind of see their eyes start to glaze over, I'm like, 'Okay, another time is better.' You learn how to compromise and you learn how to read each other. Honestly, being in a band with two guys has prepared me so much for when it's time for me to get married!
I get nervous before I conduct a concert, but then you just go out there and do it.
Hopefully we can be a band who has a career like U2 or Aerosmith or somebody like that but that's very far and few between. We're happy to be where we are at now, so it's a gift, you gotta just keep pushing forward. For all of us it's very easy to be out here and do what we do, easy in the sense that it's a gift but it can be difficult at times.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
Going to a concert can sometimes be very difficult. It can be a long journey. There's the ticket prices. But when the music goes to the community - not the community coming to the concert - they say, 'Wow! I didn't know that this music was so amazing!'
Going to a concert can sometimes be very difficult. It can be a long journey. There's the ticket prices. But when the music goes to the community - not the community coming to the concert - they say, 'Wow! I didn't know that this music was so amazing!
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
I went door-to-door selling cable television subscriptions when I was in college. I found it incredibly difficult, doing that kind of sales work. I would have thought I'd be good at it, but I wasn't. It's so easy in acting. Everything falls into place when they write that you're a salesman. People just say yes, and then it's great.
The first band I was in out of college was a Celtic band, and I had to learn to sing with a microphone, because I'd never done that before. At Oberlin, I never used a mic for any kind of singing.
I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.
When I begin to work on myself, sometimes things get worse before they get better. It is okay if this happens, because I know that it's the beginning of the process. It's untangling old threads. I just flow with it. It takes time and effort to learn what I need to learn. I don't demand instant change.
Poems are not easy to start, and they're not easy to finish. There's a great pleasure in - I wouldn't say ease, but maybe kind of a fascinated ease that accompanies the actual writing of the poem. I find it very difficult to get started.
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