A Quote by Agnes Obel
Even though music is something I travel around doing, it is also a very private thing. A sort of escapism.
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People talk about escapism as though it's something nasty but escapism is wonderful!
Even though kids may have planned for months for the trip to Disneyland, some may be feeling very homesick, very forlorn, or very marginalized by the group. Your capacity to perceive those kinds of situations and respond to them in a pastoral way is the stuff you are teaching. And even though the kids may appear to be ignoring you, they are very aware of what you are doing and how you are doing it. They are also very aware of what you are missing and not picking up on.
I wondered why people consider escapism so bad, even the escapism on display right then. At first it might appear unseemly, but in the end its lack of pretension gives it its own sort of beauty.
When you can make it this simple, though, just do the right thing. Even if you could get away with less. Even when other people are doing the wrong thing. Even though the wrong thing seems like no big deal.
When we go to sleep ordinarily, we're doing something really private. It's kind of an intimate, private connection with our sort of physical humanity.
Being a full-time musician back before I had my son, it was sort of too much 'me' all the time. I felt like a bit of a narcissist, always doing just my art - even though I feel like artists are doing a service as well. I needed something a little more literal, instead of writing music and hoping people enjoyed it.
To me, music and songwriting is... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words.
I think, something that you might be able to locate in the work that I'm creating today: the ability to look at a black America as something that not only can be mined in a very sort of cynical, cold way, but also embraced in a very personal, love-driven way; but also sort of critiqued.
Fans have been very important in my career. Even though I'm just doing me and doing my thing, they're the captains of this ship.
I get to travel the world doing what I love to do - making other people happy... They might not even understand my words, but the one thing everybody understands is music.
I think people do look to writers to tell the truth in a way that nobody else quite will, not politicians or ministers or sociologists. A writer's job, is to, by way of fiction, somehow describe the way we live. And to me, this seems an important task, very worth doing, and I think also, to the reading public, it seems, even though they might not articulate it, it seems to them something worth doing also.
I have an admiration, even though I'm not likely to do that sort of thing myself, for [Ayn] Roark's behavior when he decided that his design was not being followed - which was a gross violation, by the way, of private property rights, because the building was his.
I was in school - I was a good learner; if I wanted to get something done, I could get it done. I was lazy, though. I was always, like, sort of an outcast. And when I got home, I was always doing music, but when I was doing music, no one was there to judge it, you know? It was just me in my bedroom. It gave me freedom and made me happy.
Thinking about time travel may seem like something humans have been doing since the first caveman dropped the first rock on his foot. But, even to begin to imagine the possibility of time travel, your mind must be able to wrap itself around the notion of a past and a future.
All music is escapism for me, but I like the way that, on a good night, that sense of escapism can be shared.
I'm influenced by the music of the '60s. It's a mishmash of everything. To me, psychedelic can be all the way to a DJ. House music can be very psychedelic. 'Flying Lotus' is very psychedelic. Even though it's urban and technological, it's also mind-expanding, anything-can-go mishmash.
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