A Quote by Agnes Repplier

What strange impulse is it which induces otherwise truthful people to say they like music when they do not, and thus expose themselves to hours of boredom? — © Agnes Repplier
What strange impulse is it which induces otherwise truthful people to say they like music when they do not, and thus expose themselves to hours of boredom?
Most men expose themselves in battle enough to save their honor, few wish to do so more than sufficiently, or than is necessary to make the design for which they expose themselves succeed.
Teens think listening to music helps them concentrate. It doesn't. It relieves them of the boredom that concentration on homework induces.
There is no merit in being truthful when one is truthful by nature, or rather when one can be nothing else; it is a gift, like poetry or music. But it needs courage to be truthful after carefully considering the matter, unless a kind of pride is involved; for example, the man who says to himself, "I am ugly," and then says, "I am ugly" to his friends, lest they should think themselves the first to make the discovery.
If you love music and it requires hours of practice that can be boring, you can survive the boredom, you're not going to love it but you can survive the boredom because you're connected to something that excites you.
We all teach from that same frame of reference. We're like neighborhood - the people who have had the opportunity through this music to gain a platform and spread the message of this music, which is basically love in a form of communication that's honest and truthful.
Writing and working with producers is like dating - it sounds strange to say that, but you have to test people out. You have to be like: 1) I like your music. 2) I like you, you're a good person. 3) Let's hang out and see if we can work together. And that is where music comes from.
Virtuous people often revenge themselves for the constraints to which they submit by the boredom which they inspire.
Patience and boredom are closely related. Boredom, a certain kind of boredom, is really impatience. You don't like the way things are, they aren't interesting enough for you, so you deccide- and boredom is a decision-that you are bored.
When I make music, it takes me two hours to get into the flow. To me it's like tapping into some kind of subconscious frequency: I just have to turn everything else off, open up part of myself, expose my fears and try to work through it in the music that I'm making.
People say to me, Would you like to swap your life with me for 24 hours? Your life must be very strange. But of course I have not experienced any other life. It's not strange to me.
In a strange way, I feel like we need to cultivate more boredom in our lives: like, boredom needs to be okay again. It needs to be seen as a good thing, and I think it's definitely a good thing for relationships.
The Internet is the fastest way to get what you want and expose yourself to music you would never have heard otherwise.
Contrary to general belief, humans imitate apes more than the reverse. The sight of monkeys or apes induces an irresistible urge in people to jump up and down, exaggeratedly scratch themselves and holler in a way that must make the primates wonder how this otherwise so intelligent species has come to depend on such inferior means of communication.
We live in strange times. We also live in strange places: each in a universe of our own. The people with whom we populate our universes are the shadows of whole other universes intersecting with our own. Being able to glance out into this bewildering complexity of infinite recursion and say things like, 'Oh, hi, Ed! Nice tan. How's Carol?' involves a great deal of filtering skill for which all conscious entities have eventually to develop a capacity in order to protect themselves from the contemplation of the chaos through which they seethe and tumble.
I like to say that while antimatter may seem strange, it is strange in the sense that Belgians are strange. They are not really strange; it is just that one rarely meets them.
People are going to say, ‘Well, it’s not very truthful.’ But a songwriter doesn’t care about what’s truthful. What he cares about is what should’ve happened, what could’ve happened. That’s its own kind of truth. It’s like people who read Shakespeare plays, but they never see a Shakespeare play. I think they just use his name.
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