A Quote by Agnes Smedley

In the little hall leading to it was a rack holding various Socialist or radical newspapers, tracts, and pamphlets in very small print and on very bad paper. The subjects treated were technical Marxist theories.
I joined another circle and the leader gave us a little leaflet in very small print, asking us to read it carefully and then come prepared to ask questions. It was a technical Marxist subject and I did not understand it nor did I know what questions to ask.
You know how some people complain about the way carriage horses are treated? That they are in a small stall? That is mistreatment. In a holding cell, you get very bored. You have no newspapers, you have no anything.
The printing press had a very liberatory effect that meant individuals - small groups could produce radical pamphlets - could use it for organizing.
The Vedas give information on various subjects. They have come together and form one book. And in later times, when other subjects were separated from religion - when astronomy and astrology were taken out of religion - these subjects, being connected with the Vedas and being ancient, were considered very holy.
To be treated well in places where you don't expect to be treated well, to find things in common with people you thought previously you had very, very little in common with, that can't be a bad thing.
Comedy has to do with holding and releasing tension; it's very technical. It's more technical than drama.
Cases of sickness made up a very small percentage which in my opinion was normal. However, propaganda pamphlets dropped from aircraft were telling the workers to feign illness, and detailed instructions were given to them on how to do it.
Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.
I was raised a socialist by two very socialist parents, and I still feel very animated about socialist principles.
Some newspapers have a hands-off policy on favored politicians. But it's generally very small newspapers or local TV stations.
It's very, very technical, what we do in film. While all of the lights are there and all of the crew members and directors are staring right at you, you have to be honest. It's a very difficult, but technical medium.
Our minds are specifically adapted to developing certain theories, and we have a science if the theories that are available to our minds happen to be close to true. Well, there is no particular reason to suppose that the intersection of true theories and theories that are accessible to the mind is very large. It may not be very large.
I've never been a very prolific person, so when creativity flows, it flows. I find myself scribbling on little notepads and pieces of loose paper, which results in a very small portion of my writings to ever show up in true form.
I believe in the possible. I believe, small though we are, insignificant though we may be, we can reach a full understanding of the universe. You were right when you said you felt small, looking up at all that up there. We are very, very small, but we are profoundly capable of very, very big things.
If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.
Studing jewelry gives you an incredible technical background. If you can work on very, very small things, then, I think, typically you find it easier to go bigger rather than the other way around. I think a lot of architects have struggled with small things. Whereas if you start small, it's easier to get bigger.
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