A Quote by Agnetha Faltskog

There are a lot of artists that I love, and I think they're really talented, and they're good dancers as well. I've always wished that I could combine that. — © Agnetha Faltskog
There are a lot of artists that I love, and I think they're really talented, and they're good dancers as well. I've always wished that I could combine that.
I've always liked to think I could do anything I wished as well as - if not better than - a man. But I wasn't very good at rally driving.
It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
I think I always wished I could play guitar as well as Jimi Hendrix.
Well, my family used to live in Atlanta a few years back so I always had a good relationship with all the artists down there, as well as artists from Houston and Memphis, before the South took over, I was already like a family member of the South so there's always love.
I created MMG years ago. My desire was to create a space where the most talented artists in the world could be nurtured and supported. With that came a commitment. I vowed to support these artists through the good and the bad.
Oh first, let me tell you how amazed I am by the wealth of talents in the Philippines. I remember watching a lot of home videos about Filipino artists, and they are really very talented. That really motivated me to always do my best and to stay inspired.
As I traveled from one country to another, no one knew anything about me. So I could be anybody, I could speak as I wished, act as I wished, dress as I wished
As I traveled from one country to another, no one knew anything about me. So I could be anybody, I could speak as I wished, act as I wished, dress as I wished.
Some people seem to think that good dancers are born, but all the good dancers I have known are taught or trained.
Companies like Spotify, the new Apple service, and all the others are really going to have to pay artists more. And I think it's a matter of time; I think a lot of these companies and the individuals that are involved in them realize that as well. They know that artists are not getting what they should be getting.
In the UK and the US especially you've got a lot of throwaway artists who have their 40 million dancers and they do their show. There's many artists who would not do a live show because they know they can't.
There are a lot of directors I'd still love to work with. Paul Thomas Anderson is someone I'd love to work with. I think Alejandro Gonzalez Inarritu is very talented. Ang Lee is very talented. I mean, there are a lot of people. There are many great directors out there.
I think that most successful artists - not always, but a lot of them, in any field - have business savvy as well and have some sense of marketing acumen. I think the key is to be good enough at it that it doesn't overwhelm your aesthetic interests, but have just enough that you make smart decisions.
I will say a lot of dancers do such beautiful things for their body and then they smoke a cigarette. I've never been a smoker, but I realized after taking yoga . . . in ballet you're not encouraged to do a lot of breathing. I think in a weird way, a lot of dancers find relief in actually breathing.
I'm a really artistic person, and so, with the live stuff, there's a lot that I think is really cool. Beyonce and Rihanna have all these dancers. So with the live costumes and video costumes, I'd really like to have my vision. The way that I want people to dress is very specific. I love fashion.
I would love to work with Ron Howard. I think he is brilliant. I love the stories that he chooses. Theyre always very personal and intense. He loves a lot of emotion, and hes so well equipped to pull all of that out of the actors. I really love that kind of thing and I think thats what movies should be about.
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