A Quote by Agnetha Faltskog

When I was 15 I became a full-time singer in a band. At 18 I made my first record. — © Agnetha Faltskog
When I was 15 I became a full-time singer in a band. At 18 I made my first record.
I am a singer first and foremost. I was lucky enough to have a manager, when I was 15, who knew the heads of a lot of record labels at the time.
I started young. My first record came out when I was - what? 18? So I was in the studio when I was 15, 16.
When we did a lot of that Motown stuff there were four of us on the front line. When we started the evening we'd start from one end of the band and just go along. The lead singer would change all the time. That's the first time that I actually managed to put it into a record.
I originally wanted to be a singer, but I was average. I made 18 records, but none were that great. I was in a dance band at Bournemouth Pavilion for three years, and I played guitar too.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer... if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.
The only reason I became the singer in the band is because I sang the best. It wasn't out of some desire to be a star or be a famous singer. It's not like I love interviews.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I made my first record at 27, and there are people who are 17 and 18 out there making records.
I should like to be a full-time Mother and a full-time Artist and a full-time Wife-Companion and also a 'Charming Woman' on the side! And to be aware and record it all. I cannot do it all. Something must go - several things probably. The 'charming woman' first!
I think I've been influenced by everything I've ever heard. The first thing I ever heard was my grandma, who was an opera singer. The first song I ever learned was the 'Nessun Dorma' from Puccini's 'Turandot.' My father was a big band singer, so I used to hear him walking around the house singing standards all the time.
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