A Quote by Ahmet Ertegun

Everyone felt like they knew Ray Charles and in a way they did, because he was embodied by his music. — © Ahmet Ertegun
Everyone felt like they knew Ray Charles and in a way they did, because he was embodied by his music.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
I think Ray Charles did as much as anybody when he did his country music album. Ray Charles broke down borders and showed the similarities between country music and R&B.
Ray Charles revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
I love Ray Charles. He can still teach everybody a lot about how to make great music. Not necessarily how to make hits, but how to make great music. Of course, part of it is his incredible talent. Who are the greatest jazz singers in the world? Louis Armstrong, Billie Holiday and Ray Charles.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
Nas always been my favorite rapper, but 50 Cent, he changed my way of thinking about music 'cause he was so detailed in his music, I knew that wasn't lying. I never felt Tupac that way; I never felt Biggie that way. I love Nas music, but I never felt and believed like, 'This is for real.' 'Cause I grew up that gangsta lifestyle.
You knew the difference between Barbra Streisand and Aretha Franklin, Stevie Wonder and Ray Charles, straight away. Now everyone sounds like each other, and I don't think that's right.
How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.
I think of people like Ray Charles, Otis Redding, and Isaac Hayes. They all came out of the South, and they followed a certain tradition and energy. That's no knock to groups like The Temptations or The Supremes, not at all, but they were way more polished in how they did things.
Guys like me and Ray Charles, when we was coming up through our days, country music and soul music was just a very thin line between the two.
I felt like a failure for so long because I wasn't able to access myself in the way I knew I would have if I was going to make music that mattered. I knew I was going to have to learn how to be honest.
My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.
I don't like that word 'discovery.' ... Sinatra was the first one to call Ray Charles a genius, he spoke of 'the genius of Ray Charles.' And after that everybody called him a genius. They didn't call him a genius before that though. He was a genius but they didn't call him that. ... If a white man hadn't told them, they wouldn't've seen it. ... Like, you know, they say Columbus discovered America, he didn't discover America.
I was one of I think three white girls in my school. So, I was very much an outsider. And plus I was Jewish and all of my friends were black and Baptist because they listen to the coolest music. We were all listening to Ray Charles and what was then called race music.
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