A Quote by Ahmet Zappa

I didn't read at all until I was 12. I just couldn't. It was too frustrating. — © Ahmet Zappa
I didn't read at all until I was 12. I just couldn't. It was too frustrating.
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
Most of Emily's backstory is written out between New Moon and Eclipse. I'm reading them as we're shooting the films. I haven't read Breaking Dawn yet. It's just too crazy. There's too much going on that you need a map. I just try to focus on one movie at a time. When we were doing New Moon press, people were already asking about Eclipse. I didn't read it until I was ready to go, so that it was fresh and I wasn't jumbled with all this other stuff.
I've probably been the hardest on my dad. I was the oldest girl; I was 12 when they divorced. So from birth until 12, I had him, and I was the center of his attention. So that just all completely changed and went away when they divorced.
I would love to coach and teach people about football. It's just that the time constraints are so tough to coach, especially when you have seven kids and they are growing up. I'm just in too blessed of a situation to spend from five in the morning until 12 at night coaching and not watching my kids grow up.
My advice is this. For Christ's sake, don't write a book that is suitable for a kid of 12 years old, because the kids who read who are 12 years old are reading books for adults. I read all of the James Bond books when I was about 11, which was approximately the right time to read James Bond books.
Iwas not a reader at all, not until I discovered 'The Hobbit.' That changed my life. It gave me the courage to read. It led me to the 'Lord of the Rings' series. And once I'd read that, I knew I could read anything because I had just read thousands of pages.
When I read Jerome D. Salinger's "The Catcher in the Rye" that was the first time I felt my mind blow open. I thought that book was speaking to me. I was 12 or 13 when I read that. I read everything on my mother's bookshelves.
When you really can't affect something, you almost don't wanna wish too hard, because it's just frustrating.
I read a lot until was about 12, then as a teenager I was more interested in kissing boys. But I kept a diary for a few years, so words were a big part of my teenage years.
There've been moments where I just was tired of being in L.A. It was very difficult. I mean, you're constantly rejected. And that's OK, it's just really frustrating for me, because I try to read scripts and projects that have really great, deeper, meaningful qualities to them.
I could lay here and read all night. I am not able to fall asleep without reading. You have the time when your brain has nothing to do so it rambles. I fool my brain out of that by making it read until it shuts off. I just think it is best to do something right up until you fall asleep.
I'd read one too many crime novels where the victim was just a name: body number one, dead woman number 12. I understood fear, and I wanted to create characters who made readers say, 'Please, don't hurt this guy.' That's the key to suspense. It's easy to disgust a reader. It's much harder to make them care.
As frustrating as it gets, at times, and as frustrating as it is, at times, I don't think I've ever considered doing something else, or not wanted to do it anymore. To me, it's just the greatest job. It's a good fit for who I am and what I want to be.
I think every character actor at some stage likes to carry a film. It can be extremely liberating to just come in for a scene or two and do your thing. But I find it frustrating if I'm just doing little bits here and there for too long.
I think I'm a disciplined mom versus a strict mom. But also, that job - the disciplining was from birth until about 12, and at 12, I set my kids free, and they learned to become independent human beings.
It took 12 years to put this film [Dream of Life] together, but it was not until toward the end of those 12 years that I looked at Patti [Smith] and said, "Maybe we should do something with this footage."
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