A Quote by Ai Weiwei
[Cultural departments] don't care about culture. Maybe they're the furthest from the people who understand culture.
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We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
The indigenous peoples understand that they have to recover their cultural identity, or to live it if they have already recovered it. They also understand that this is not a favor or a concession, but simply their natural right to be recognized as belonging to a culture that is distinct from the Western culture, a culture in which they have to live their own faith.
[Cultural department] understand nothing but bureaucratic daily affairs. They don't care about culture.
I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
Coldplay's 'Hymn for the Weekend' video featuring Beyonce is already caught in a heated conversation about cultural appreciation of Indian religion and culture versus cultural appropriation of that culture for the western gaze.
We learned Russian music, and of course Western European classical music, but nothing from our own Tuvan culture. I think that was the biggest problem of Communists - they didn't care about the cultural life of aboriginal people, here especially in Siberia. Maybe it brought them to collapse.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.
Spanish is actually my first language, growing up, and I understand the culture. I understand the culture; I understand what the people want.
People ask a lot about how I can be a believer in a culture that perhaps is counter cultural to what you believe in. I've come to the conclusion that I'm able to be in this culture and in this industry and fruitful because I don't look to my circumstances to determine what I believe to be true about God.
We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.
I think people in the hip hop culture really just care about who has the bars. I'm sure there are people, who see it differently outside of the culture, but most people are concerned with who's a better rapper and that's that.
Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
I was a mixed black girl existing in a westernized Hawaiian culture where petite Asian women were the ideal, in a white culture where black women were furthest from the standard of beauty, in an American culture where trans women of color were invisible.
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