A Quote by Ai Weiwei

I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial. — © Ai Weiwei
I curated this show [Shanghai Biennale ], I was by no means trying to shock people or be controversial.
[Shanghai Biennale] has been my attitude for as long as I've been practicing art and other cultural-related activities.
I was in Shanghai when the Japanese invaded China. I was there in Shanghai when, the morning after Pearl Harbor, they seized Shanghai.
My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated.
I do say things that I think will shock people. But I don't do things to shock people. I'm not trying to be the next Tupac, but I don't know how long I'm going to be on this planet. So while I'm here, I might as well make the most of it.
I went to an exhibition at San Francisco's Asian Art Museum about Shanghai, about how courtesans had been influential in bringing western culture to Shanghai. I bought a book and in it saw this striking group of women in a photograph called 'The Ten Beauties of Shanghai'.
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
I don't want to be known as this bitter, ex-Scientologist. I'm not trying to bash anybody, and I'm not trying to be controversial. I just want people to know the truth.
I'd be very controversial if I said why, and I don't do controversial anymore. That's too passé. So last year. Being controversial is boring now.
I'm not a controversial person. I'm not trying to polarise people.
I have an image of Shanghai, which is quite different from other directors, I think. The story of Shanghai should happen in back alleys.
Controversial means somebody who makes people think. And if you are afraid of people who will be against you, you might as well stay home and do nothing.
Letting go means we stop trying to force outcomes and make people behave. It means we give up resistance to the way things are, for the moment. It means we stop trying to do the impossible-controlling that which we cannot-and instead, focus on what is possible-which usually means taking care of ourselves. And we do this in gentleness, kindness, and love, as much as possible.
People in Shanghai make a lot more money than the farmers in the rice paddies. The rice-paddy farmers are not buying Louis Vuitton bags, but the upwardly mobile ones in Shanghai, who are all working in Wall Street-type firms, are infinitely better-dressed than people in the West. Their women take this fashion thing seriously.
It's never a matter ever, ever - are - we're never trying to gross anybody out, or ever are we trying to shock people. We're just trying to make it funny in a way that makes the audience go, 'You know, that was the first joke they thought of, and they weren't afraid to do it.'
The rise or fall of Shanghai means the birth or death of the whole nation.
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