A Quote by Ai Weiwei
Beijing is constructing a 100,000 m2 modern art museum, yet it will not feature any of my work.
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A few years ago, they [Neandertals] were thought to be ancestral to anatomically modern humans, but now we know that modern humans appeared at least 100,000 years ago, much before the disappearance of the Neandertals. Moreover, in caves in the Middle East, fossils of modern humans have been found dated 120,000-100,000 years ago, as well as Neandertals dated at 60,000 and 70,000 years ago, followed again by modern humans dated at 40,000 years ago. It is unclear whether the two forms repeatedly replaced one another by migration from other regions, or whether they coexisted in some areas
To have a museum like the Museum of Modern Art in New York is to have power. I don't have any interest in being the director of an institution that has power.
I can pick out people in this city to follow. I can be in a show at the Museum of Modern Art, my space in the Museum of Modern Art is my mailbox, my mail is delivered there. Whenever I want mail, I have to go through this city to get my mail.
I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum, so people would ask me to come and work for them.
People don't really want to hear me say this, but a black person who will give a million dollars to the Museum of Modern Art but won't give a million to the Studio Museum in Harlem is simply mistaken.
I get $100,000 a picture and if I don't work, that means that's $100,000 I don't make.
It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.
I'd live in a museum if I could. I used to spend hours and hours in the Museum of Modern Art.
I saw Joseph Cornell's lyrical work for the first time at the Museum of Modern Art in the late seventies and have internalized many of his boxes.
The Metropolitan Museum of Art some time ago held a display of contemporary art at which $52,000 was awarded to American sculptors, painters, and artists in allied fields. The award for the best painting went to the canvas of an Illinois artist. It was described as "a macabre, detailed work showing a closed door bearing a funeral wreath." Equally striking was the work's title: "That which I should have done, I did not do."
Some people have criticized the United States and the United States military for guarding oil fields and not guarding the Iraqi National Museum which had priceless antiquities in it. They say that this shows a fundamental lack of respect for Iraqi history. I want to remind those people of this: The oldest relics in the museum, 5,000 or 6,000 years old. That oil is 65 million years old. You had to guard that. ... Those antiquities will only last another 5,000 or 6,000 years. When we burn that oil, those fumes will linger long after.
If you've got $25,000, $50,000, $100,000, you're better off paying off any debt you have because that's a guaranteed return.
Anatomically modern humans are found up to 200,000 years ago; behaviourally modern humans appear very recently in evolutionary time, as far as evidence now exists, perhaps within a window of 50-100,000 years ago, a flick of an eye in evolutionary time.
I have a lot left inside. I believe my art will last 500 years, 1,000 years and forever. For me, art is everything. I will strive to create works of art until I die, in the hope that my work will continue to touch the hearts of people even after I have died.
[S]uppose you make a hole in an ordinary evacuated electric light bulb and allow the air molecules to pass in at the rate of 1,000,000 a second, the bulb will become full of air in approximately 100,000,000 years.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
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