A Quote by Ai Weiwei

Because Chinese art is booming, it legitimizes this profession. — © Ai Weiwei
Because Chinese art is booming, it legitimizes this profession.
All the rich people collect traditional Chinese art. So it's very natural for Chinese families to still see art as the highest human performance and send their children to this field.
There are photographers who push for war because they make stories. They search for a Chinese who has a more Chinese are than the others and they end up finding one. They have him take a typically Chinese pose and surround him with chinoiseries. What have they captured on their film? A Chinese? Definitely not: the idea of the Chinese.
I don't think it's worth discussing new directions in the context of Chinese art - there were no old directions, either. Chinese art has never had any clear orientation.
Chinese consumption, particularly high-end consumption, is booming.
I don't like the idea of nationalism, but on the other hand, I do see that there is a difference between British art, German art and Chinese art. This is because of the history, because each country has different history and each country reads and teaches that history differently.
Sometimes I read that I'm not 100 per cent Chinese, because I don't look all that Chinese. That's a strange one - I am Chinese.
I did my best to hide by changing my name many times. But I was captured by the Chinese police. But because my Chinese was so good, they thought I was Chinese and released me. That was a miracle.
First of all, the art of living; then as my ideal profession, poetry and philosophy, and as my real profession, plastic arts; in the last resort, for lack of income, illustrations.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
In the dear dead days beyond recall, when I was in my prime as a film critic, the industry was booming. Hollywood, to give them their due, always called it the industry, through quite a few imagined it as an art form and went through several hours regularly at tiresome films in the sacred cause of art.
Art is neither a profession nor a hobby. Art is a way of being.
I'm doing quite a few things now. In one day, I will go to Kassel, Germany, for a documentary project I've been preparing for half a year. I will bring 1,001 Chinese to participate as my artwork there - any Chinese who is a Chinese passport holder and over eighteen years old could apply through my blog. I'm just bringing them to Kassel to see the art show, and pay their room and board.
Chinese Americans, when you try to understand what things in you are Chinese, how do you separate what is peculiar to childhood, to poverty, insanities, one family, your mother who marked your growing with stories, from what is Chinese? What is Chinese tradition and what is the movies?
Do not set out to make Mexican art, or American, Chinese, or Russian art. Think in terms of universality.
Life in a Chinese village is much more organised because the Chinese Communist Party has a presence even in the remotest Chinese village - a presence of the kind that no governmental or non-governmental organisation has in Indian villages.
Until the age of five, my parents spoke to me in Chinese or a combination of Chinese and English, but they didn't force me to speak Mandarin. In retrospect, this was sad, because they believed that my chance of doing well in America hinged on my fluency in English. Later, as an adult, I wanted to learn Chinese.
This site uses cookies to ensure you get the best experience. More info...
Got it!