A Quote by Ai Weiwei

All the auction houses care about is the selling of luxury goods. — © Ai Weiwei
All the auction houses care about is the selling of luxury goods.
I'm not in the luxury-goods business. I sell unique objects. I wish I was in luxury goods because then I could just call the factory and say, 'I need 10,000 more of whatever.' But I can't - because then it's not art, it's something else.
It is solely bigness in business which makes it possible to supply the masses with all those products the present-day American common man does not want to do without. Luxury goods for the few can be produced in small shops. Luxury goods for the many require big business.
The boom for luxury goods is unending. There are people who never have to worry about whether they can afford something they like. In one part of the world or another there will always be someone with money to spend on luxury.
I don't care at all about the mainstream; I don't care about popularity contests; I don't care about who's got the biggest-selling album; and I don't care about glossy production.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
Of course, most luxury goods in China are for corrupted officials and their relatives. And that made China become the biggest luxury-goods market. In this kind of dictatorship, in this kind of totalitarian society, it is easy to make deals that you cannot make in a democratic society.
Luxury goods are the only area in which it is possible to make luxury margins.
Advertising is a valuable economic factor because it is the cheapest way of selling goods, particularly if the goods are worthless.
It never really understood its own situational luxury. And I think that by and large the privilege of being Kehinde Wiley in the 21st century, making these high-priced luxury goods, traveling the world, pointing at these people, behooves me to have a point of view and to say something about it.
An election is nothing more than the advanced auction of stolen goods.
Every election is a sort of advance auction sale of stolen goods.
Nothing will teach you more about perceived value than taking something with literally no value and selling it in the auction format. It teaches you the beauty and power of presentation, and how you can make magic out of nothing.
People buy their necessities in shops and have to pay dearly for them because they have to assist in paying for what is also on sale there but only rarely finds purchasers: the luxury and amusement goods. So it is that luxury continually imposes a tax on the simple people who have to do without it.
Now people look at 'The Scream' or Van Gogh's 'Irises' or a Picasso and see its new content: money. Auction houses inherently equate capital with value.
In April 2007 I learned that Yves Saint Laurent had a brain tumor, and he died on June 1, 2008. During those 14 months I had plenty of time to think about what would happen. There was only one solution: the auction. An auction establishes memory. That's what I want to do.
But, you see, that's the luxury of being a lout - you get to be selective about when you care and when you don't. The rest of us get stuck when your care goes shallow.
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