A Quote by Ai Yazawa
Maybe I’m just farsighted. The further away something is, the better I can see it but once it gets close, I lose sight of it.
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If I find something I like, I'll chase it and see what comes out the other side. Once a song gets momentum and gets away from you, that's a good sign.
Let's travel at magnificent speeds around the universe
What could you say as the Earth gets further and further away
Planets are small as balls of clay
Astray into the Milky Way, world's outasight
Far as the eye can see, not even a satellite
Now stop and turn around and look
As you stare in the darkness, your knowledge is took!
So keep starin' soon you suddenly see a star
You better follow it, cause it's the R.
The more I got into presenting things to the world, the further it was taking me away from what I was, which was someone who just used to sit quietly at a piano and sing and play. It became very important to me not to lose sight of that.
There is, indeed, a most dangerous passage in the history of a democratic people. When the taste for physical gratifications among them has grown more rapidly than their education and their experience of free institutions, the time will come when men are carried away and lose all self-restraint at the sight of new possessions they are about to obtain. In their intense and exclusive anxiety to make a fortune they lose sight of the close connection that exists between the private fortune of each and the prosperity of all.
Everything has to be understood in opposition to something else. For some dang reason, the ego prefers to make one side better than the other, so we choose. And we decide males are better than females, America is better than Canada, Democrats are better than Republicans. And for most people, once this decision is made, it is amazing the amount of blindness they become capable of. They really don't see what's right in front of them. Once you see this, it's an amazing breakthrough, and that is the starting place for moving away from dualistic thinking.
There's something about the sci-fi genre that gets an audience interested in it, so maybe you can take some risks that you couldn't, if you were just doing a drama. It lets you maybe reach a little further and surprise people a little bit more because there's still that little safety base of working on that genre that everybody loves.
But once in a while . . . I don't know. I feel so close, Rose. So close to the edge. Like if I allow myself one small misstep, I'll plunge away and never come back. It's like I'll lose myself.
I don't think, as an actor, you should define what genre you want to do. Once you do that, you lose the sight to see the film and what its story is all about.
This is what happens: somebody—girl usually—got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. And maybe you never see the balloon again . . . Or maybe three or four years from now, or three or four days from now, the prevailing winds take the balloon back home . . . But listen, kid, that string gets cut all the time.
The logistics of blood is something that I didn't even understood as a first-time director. Not just actors and make-up, but once a set gets bloody, you don't un-blood it. Once something gets bloody, you either rebuild the set, or you just don't get the shot.
Look around at things that just aren't getting done. Maybe there's a project you could tackle. Maybe there's an issue that always gets back-burnered for other priorities. Challenge yourself to take on those difficult assignments. They're learning opportunities, and you have a chance to change something for the better.
When we can’t marry the person we had in mind, our inability to look beyond may even blind sight us from someone who is in fact better for us. When we don’t get hired, or we lose something dear to us, it’s hard to take a step back and notice the bigger picture. Often Allah takes things away from us, only to replace them with something greater.
Only when I make movements away from the tribe of indie art and literature. Maybe that's something important for me to keep thinking about. What you gain, what you lose, why and how. Maybe the edge of the page is the place for me. Maybe that's OK.
Maybe I was being too picky. Maybe I didn't want to be close to anyone. Maybe I'd just be the type who couldn't feel love all the way or something. I couldn't tell what was wrong, but what was wrong was that it just wasn't right.
The flock gets sight of a spot of blood on some chicken and they all go to peckin' at it, see, till they rip the chicken to shreds, blood and bones and feathers. But usually a couple of the flock gets spotted in the fracas, then it's their turn. And a few more gets spots and gets pecked to death, and more and more. Oh, a peckin' party can wipe out the whole flock in a matter of a few hours, buddy, I seen it. A mighty awesome sight. The only way to prevent it—with chickens—is to clip blinders on them. So's they can't see.
There's no better sight than when I look out from the speaker's rostrum and see a group of Republicans and Democrats who sit in a couple of rows together, laughing together. It is just - it sounds a little silly - but it's just an amazing, great sight.
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