A Quote by Aidan Gallagher
One of the things that interested me about Five was the trauma that was contributed via the apocalypse. I wanted to make sure that I got his PTSD correct.
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Five has sort of had his own little life aside from everyone. He spent 45 years in the apocalypse, and that took a toll on him and was a big part of his overall trauma.
When I started talking to my therapist, we hit the source of my PTSD and the trauma that came from the things that occurred when I was younger - issues with my father and how that may have affected me.
People generally don't suffer high rates of PTSD after natural disasters. Instead, people suffer from PTSD after moral atrocities. Soldiers who've endured the depraved world of combat experience their own symptoms. Trauma is an expulsive cataclysm of the soul.
One thing I can say as far as people from black communities dealing with trauma or PTSD is putting some trauma centers or some type of therapy sessions and some after-school programs for the kids, so they can have a real outlet to express themselves.
I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.
One of the things I think we have to do is make sure that college is affordable for every young person in America. And I also think that we're going to have to rebuild our infrastructure, which is falling behind, our roads, our bridges, but also broadband lines that reach into rural communities. So there are some things that we've got to do structurally to make sure that we can compete in this global economy. We can't shortchange those things. We've got to eliminate programs that don't work, and we've got to make sure that the programs that we do have are more efficient and cost less.
For the first five years of Luca's life, I desperately wanted to be a good mother and not to pass on this trauma and darkness that his father and I had experienced, but there's a danger of suffocating your kids, too.
So I always liked to sing, and apparently when I was about four or five I also started to be attracted to pianos and musical instruments. Whenever we went to a friend's house, I vaguely recall climbing up on the piano, plunking on it, and trying to figure it out. So my parents figured I was interested and asked me if I wanted to take piano lessons. I said sure.
I was in San Francisco for 'Trauma' and then got back to town and got situated and started looking at things and passing on things. I think I was around for a month and a half, and there were other projects that were up, but it's all a waiting game. And then, 'The Vampire Diaries' came up, and I was really interested and read for it.
I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.
My father assigned me to keep his scrapbooks. At first I was interested in reading only his rave notices, but I got interested in reading what the critics were saying about whether the play was good or not.
I wasn't interested in going to the school dances. I wasn't interested in going to the football games. What I wanted was to be in my room painting my walls and doing weird stuff. That's what I wanted and I got to do what I wanted, so that, to me, is my high school experience.
Trauma is not the sole province of victims. If that were true, soldiers returning from Afghanistan wouldn't suffer from PTSD.
The difficulty for me is that I'm interested in so many different things. I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things.
If you want something bad enough, you've got to make a bold move. Just make sure you clear the bold move with the people whose lives it's going to affect. Like George Washington, had to get all those guys who the British killed to agree to die. Neil Armstrong, had to crank a couple of elbows into Buzz Aldrin's face mask to make sure he got on the moon first. And Christopher Titus, well, he worked his dad for five grand. Ha ha. Who can't support who ? I know, it's complicated.
If we take a hard look at what poverty is, its nature, it's not pretty - it's full of trauma. And we're able to accept trauma with certain groups, like with soldiers, for instance - we understand that they face trauma and that trauma can be connected to things like depression or acts of violence later on in life.
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