A Quote by Aidan Gallagher

I don't know that I could ever really pull off Ferris Bueller because that was done in such an iconic way already. — © Aidan Gallagher
I don't know that I could ever really pull off Ferris Bueller because that was done in such an iconic way already.
I was a terrible actor. But John Hughes liked me, and he encouraged me. I made him laugh, I guess is the bottom line, and then he gave me that part in Ferris Bueller's Day Off as the flower man. It's just a nothing part in one sense, but it's such an iconic movie that people will ask me from time to time, "Are you in Ferris Bueller's Day Off?" "Yeah."
My favorite TV show ever is 'Boy Meets World,' and my favorite movie is 'Ferris Bueller's Day Off.'
When I did 'Ferris Bueller's Day Off', I had the idea on Monday and the following Tuesday it was in budget at Paramount. I couldn't walk.
The Republican Party is the party of Eddie Haskell and the principal from Ferris Bueller's Day Off.
I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
Because of my own insecurities about the way I look, I do sometimes sabotage the looks of my characters by making them as homely as possible. I've never done a glamour part. I'd like to some day, though I don't know if I could pull it off.
I think I heard it [ Ferris Bueller's Day Off ] earlier. This was being played on a station in San Francisco called Live 105, which was a new wave station. It was one of the first stations to change its format in the early '80s. There was this wave of really strange music coming from Europe like Kraftwork and Freur.
I felt like I was Ferris Bueller. I wanted to be those kids in 'The Breakfast Club.'
I'm a child of the '80s, so like everyone else, I love all those classic, formative movies - 'Ferris Bueller's Day Off,' 'Pretty in Pink,' 'Sixteen Candles,' 'Dirty Dancing,' etc., with 'St. Elmo's Fire' and 'The Breakfast Club' existing on a separate, slightly higher plane.
People would say, 'Boy, I really loved you in Ferris Bueller," and it would really aggravate me. I thought I was a one-trick pony, and people had seen the trick. Now that things have worked out and I've gone on to other things, I'm really pleased that people enjoy it.
People think that direct address was invented by Ferris Bueller, but in fact, it wasn't. It was invented by Shakespeare.
I knew I'd just done one of the most amazing things that I will ever get a chance to do. Just to be part of a musical that's not your background and to pull it off and to think that we've done something that's really special.
The fun of the game is right now. A lot of people don't really realize that. They think you have to get to the top to start having fun, and it's not. It's the journey getting to the top where everything is always great. I'm on the 'Ferris Bueller' thing where I look around every once in a while so I don't miss it.
I had every intention of 'Bloodflowers' being the last Cure record. I thought it would be fantastic to finish with the best thing we'd ever done, but I wasn't sure we could pull it off.
'Party Up' is like 'Ferris Bueller's Day Off' crossed with 'House Party.' It's basically about this kid, my character, who's this smooth, intelligent kid who's petitioning to throw this big end-of-the-year-bash house party, and so he goes and manipulating different people and ruining lives. He somewhat has a selfish heart, but he's a nice guy.
Looking back, I'm really happy with the choices I've made in my career. I know for a fact I could be wealthier. Who knows, maybe I could be more successful, maybe not. I don't know. But just about every single thing I've ever done I've gone into with the right intentions, and that goes a long way.
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