A Quote by Aidan Gallagher
I get to play a 58-year-old time-traveling assassin. The role had a lot of layers to it that I knew would be fun to break down and figure out the motives behind.
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I think it's healthy to say, 'I'm 58 and, do you know what, this is what a 58-year-old woman looks like.'
I'd like to play free safety. It would be fun to read things out and break on the ball. I definitely would not want to play on the defensive line. I wouldn't want to be down there in the trenches.
We have 5000-year-old history which is now almost a part of our DNA. How do you break that? America, for example, doesn't have that history behind it. It romanticizes rebellion. We look down upon rebellion. It's an insult. To think out-of-the-box is looked down upon here.
I get to play behind Al MacInnis and learn from him. I get to play with Brett Hull. There were like six or seven Hall of Famers that I would play with during my time in St. Louis. I mean, Wayne Gretzky was traded there my first year.
You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.
If I get married I get a tax break, if I have a kid I get a tax break, if I get a mortgage I get a tax break. I don't have any kids and I drive a hybrid, I think I should get a tax break. I'm trying to pay off my apartment so I have something tangible. I actually figured out if I paid off my place my reward would be that I would pay an extra four grand a year in taxes.
It's fun to play mom. Last I knew I was playing a 17-year-old who graduated.
Westley closed his eyes. There was pain coming and he had to be ready for it. He had to prepare his brain, he had to get his mind controlled and safe from their efforts, so that they could not break him. He would not let them break him. He would hold together against anything and all. If only they gave him sufficient time to make ready, he knew he could defeat pain. It turned out they gave him sufficient time (it was months before the Machine was ready). But they broke him anyway.
I knew all these people had the same goals I did, but the one that worked the hardest would come out on top. That's what drove me all the time. But I had fun. I did better every day, and that's what made it fun.
I want to play a role of a 24-year-old woman, not 17-year-old girls. So I have picked a couple of films like 'Butter' to show that. And it's perfectly fine not to do anything for a year if I don't find the right thing.
I would play all the parts of the song, show them the way it went together. Then I'd basically break down an arrangement - I wouldn't plan endings or beginnings - so they knew everything that was going on. I had the lyrics on a prompter so that I could remember everything I'd written, and I was able to just get into the groove and play with them. I think "Peace Trail" is one of the exceptions, where it's a later take. It just happened really quickly.
Black people comprehend the South. We understand its weight. It has rested on our backs... I knew that my heart would break if ever I put my foot down on that soil, moist, still, with old hurts. I had to face the fear/loathing at its source or it would consume me whole.
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
I was an onion, layers and layers and layers under a thin, papery skin. If anyone had been able to cut me open, my bitter, irritating juices would have stung their eyes, and they would have cried. Although I couldn't cry myself, much at the time. But no one would cut me open.
The N.B.A. is not an easy job. As you get older, you play this game for 82 games a year, and you play 11 or 12 years, your body tends to break down.
I had been pulling my groins in college a lot and missed my whole freshman year of college because of groin pulls. It was chronic, and I couldn't figure it out. I went to the doctor, and he told me I had hip dysplasia. So I knew my hockey days were sorta limited at that point.
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