A Quote by Aidan Gillen

I really like coming-of-age dramas. It's probably the most intense period in anyone's life, those years before you become an adult. Dramatically, there's so much to explore there. And it's nice to be around young talent coming through.
Although I sometimes enjoy writing from an adult's perspective, I feel dedicated to the coming of age story - that part of a young person's life where he must make a decision that will change his life forever. I still remember what it's like to be twelve years old.
There's such a big buzz around boxing at the moment. Everything's happening and there's so much building up with a lot of young talent coming through.
The coming-of-age story has sort of become a joke. It's something to capitalize on, and that is painful because when you are coming of age - when you are going through something like that - the genre is so meaningful.
I was really excited because I had never ever in my life done anything like this [Romeo + Juliette], and at such a young age it was like, "Wow, my dreams are coming true, I'm already in a movie at the age of 12."
Football was so over-awing, so intense, just everything in your life. You couldn't go anywhere, really, with my dad and the circus around football became too much for me at a young age. I fell back in love with it probably around 13-14. It was much to do with the camaraderie, the team-work and being part of a team.
With few exceptions, the publishing industry has come to a consensus: if a book has a young protagonist, and if its worldview is primarily interested in the questions that crop up when coming of age, then it's a young adult novel.
Within a month of intense life in the mountains is going through so much, what used to be a period of several years; This is a occupancy for people greedy for life - human life is not enough.
I kept getting offered all this young adult stuff. I don't want to keep telling teen coming-of-age stories!
Whether you're an athlete or a student, having an adult who believes in you and can give you advice and wisdom that is coming from a place of experience is an incredible asset to help guide you through your young life.
I'd been writing my own coming-of-age story, and I got to take a lot of that energy and a lot of those moments and themes that I wanted to explore in a much smaller film and then apply them to 'Spider-Man: Homecoming.'
I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
I'm realizing that for so much of my life I had an older viewpoint; I saw things as an older person. That's common among change-of-life babies. So I have this dichotomy where I'm either, like, super young or feel like I'm coming to the end of my years.
In L.A., my house is surrounded by churches, and there are no cars, so it's really nice to just walk around before I go home to check my emails from Spain, which have been coming in all night.
If he [Toshack] thinks there is lots of young Welsh talent coming through, then good luck to him.
I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.
I feel like most of the objects coming through the ports are pretty useless. It sort of speaks to this larger point of how much we're actually taking in versus how much we really need.
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