A Quote by Aidan Gillen

I'd quite like to do a musical. I'd probably have to develop that myself. — © Aidan Gillen
I'd quite like to do a musical. I'd probably have to develop that myself.
If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.
Musical ability is not an inborn talent but an ability which can be developed. Any child who is properly trained can develop musical ability just as all children develop the ability to speak their mother tongue. The potential of every child is unlimited.
Thinking should be like musical meditation. Has any philosopher pursued a thought to its limits the way Bach or Beethoven develop and exhaust a musical theme? Even after having read the most profound thinkers, one still feels the need to begin anew. Only music gives definitive answers.
Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.
Nowadays, all students have access to and indeed most own computers and are comfortable with the software used to compose music. There are probably too many musical options for them now and the trick is to limit the number of musical ideas so as to develop structure and continuity in their work.
I would say it's a lot easier to develop a decoy system than to develop the intercontinental ballistic missile itself. I would think that any country that could develop the missile could develop quite a decoy system. It doesn't have to be terribly sophisticated.
A sense of religion is something one is born with, like a musical ear. One can develop it, cultivate it, enrich it, but if one hasn't got its seed to begin with, no powers of the intellect, no sophistication of 'evidence' can awaken it.
To survive in a profession like this, you have to have absolute discipline and commitment, and I did not quite have it for musical theater.
Probably my two biggest musical influences were the Everly Brothers and the Beatles, in chronological order. Both of them have had a very simple-sounding musical style that's actually quite complex as far as popular songs are concerned.
Watching Life on Mars was quite frightening for me because dipping in and out of reality was quite like myself
I like to think of myself as a musical scavenger.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
For the score of 'Black Panther,' the heart and soul came from immersing myself in the rich musical history of the griots in West Africa. I was following these brilliant musicians all over rural Senegal, learning their musical language.
I enjoy putting myself in situations where you are nervous, but you need to enjoy yourself also. I've done skydiving, bungee jumping. I quite like those sensations - when you feel a little bit nervous and you don't really know where you are going. It's a quite good sensation that I love. I like the speed; I like everything.
I don't consider myself a musician who has achieved perfection and can't develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don't have that problem, because, like I say, I find my inspiration in myself.
As we develop, I just see us following our heart on this musical journey.
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