A Quote by Aidan Gillen
'Heroes', 'Desperate Housewives', 'The Sopranos' - they're all very stylised. 'The Wire' is much more rooted in realism and honesty. In American television, I can't think of anything I'd rather have been in because it has got something to say and that is the kind of thing I want to do.
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I like the realism of anti-heroes. It's a healthy thing. I think heroes can be very unhealthy at times because it doesn't connect you to reality.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
There's no mistaking the fact that some of the best longform fiction out there now is in American television. 'The Wire' and 'Deadwood' and 'The Sopranos.'
I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
I've been watching more American TV because of all the great TV series that have come out in the last five to 10 years. I'm a 'Sopranos' fan, I'm a 'Wire' fan, I'm a 'Mad Men' fan. I'm a 'Deadwood' fan. It makes me optimistic for the future of storytelling on TV that producers are willing to take that kind of jump.
The best of American television is thought-provoking, original, brilliant, exciting - from 'The Sopranos' on, whether it's 'The Wire' or 'Breaking Bad' or 'House of Cards,' they're fantastic pieces of art.
I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.
My grandma has never been impressed with the TV show [Desperate Housewives]. She was so angry because I was on television kissing a boy naked; she's very traditional. She said: "If I ever see you kissing that boy again...".
Just six years into the 21st century, one can say this is not shaping up to be anything like an American century. Rather, the U.S. seems much more likely to be faced with a very different kind of future: how to manage its own imperial decline.
I've been asked before, "Who are your heroes?" and these types of questions. I always find it hard to identify a single person or a single book or this sort of thing. I've always been forward looking. I was raised with the notion that you can do pretty much anything you want. You're able to accomplish anything you set out to accomplish. I was given a sense of confidence and I never really felt the need to - or I've never had the benefit, I should probably say - of being inspired by outside heroes.
You know, we've got so much on Bravo and coming up on Bravo, and I think we have so much more going on than 'The Real Housewives.' And I think 'The Real Housewives' is a great, you know, great addition to the portfolio. I think it brings a lot of viewers under our umbrella. And I think they stay and sample other shows.
I think 'The Walking Dead' is very interestingly paced. It's slow, almost like an old Western. It's also very stylised - visually, I think it's very pretty. It's more of a psychological drama than anything else.
It's very hard, I think, for critics to write positive reviews, because there's not that much to say about something you like. You can kind of say 'I really like that band' and then if you're forced to fill up the rest of an article, you've got to start saying heady things. It's much easier to say negative things in a review.
There is no realism in American films. No realism, but something much better, great truth.
It's people politics, people dynamics that make a show really good, whether it's 'Desperate Housewives' or 'Lost' or 'The Sopranos.' It's the people we've grown to love or otherwise.
I'm very, very proud to have been at what I feel are two of the pivotal moments in this whole new Golden Era of television - one being 'The Sopranos' with HBO and now with Netflix expanding that whole HBO concept to the world and making it more of a global thing. It's been wonderful to witness that from those two vantage points.
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