A Quote by Aidan Turner

You can have a good vibe and a good feeling about something, but you never really know how it's going to be received and how an audience is going to react to it. — © Aidan Turner
You can have a good vibe and a good feeling about something, but you never really know how it's going to be received and how an audience is going to react to it.
You know that something is good but you never really know how good. You always underestimate how much of an impact something is going to have.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
Fame will take care of itself. One thing I've learned about fame is that, hey, you can't control it. You don't know how you're going to be received or perceived when you step out of a car, when you arrive some place. And you never really know how big something is going to get, so you have to set some standards for yourself, and just abide by those.
I remember doing a lot of comedy. I always loved that feeling when you do something on stage and you can feel the vibe of the audience turn, and they start laughing. It's how you know something's not right, and how to fix it, or how to make the moment stronger or funnier.
You just never know how an audience is going to react.
It's not about you playing when everything is going good, it's how you react when things are going bad and not going your way.
Every single night I'm nervous. You never know how the audience is going to react.
You can never really predict how people are going to react, what they're going to think about, whether they care.
Usage is like oxygen for ideas. You can never fully anticipate how an audience is going to react to something you've created until it's out there.
My dad never wanted to push what he did on us. It was more, for him, if you chose to do this, then we're going to do it, and we're going to get it right. It was, 'I know how to do it. I'm going to teach you how to do it because I want you to be good at it.'
You never really know what's going to happen. You never know what the audience is going to be like or how they're going to behave.
Any good writer is going to be well-received and is going to not be well-received; that's how you know you're a great writer.
A good journalist, as you know, is a great listener. And so's a good writer. And I got to listen to people for almost 20 years. That serves me well, I hope, when I try to understand how a character might be feeling, or how they might react.
You just - no matter how good things are, or how bad things could be, there's always going to be negativity or something like that going on, and you just gotta, you know, embrace it, I guess. But don't let it dictate kind of like how you're going to live.
One of the tricky things about running a TV show is that you just never know how good the guest stars you cast on a weekly basis, how good they're going to be in the episode. Sometimes they surprise you in good ways and sometimes they surprise you in disappointing ways.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
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