A Quote by Aileen Quinn
Just to be working again as an actress and possibly doing TV would just be great. It's not about how big the role is.
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I'm just as intrigued by acting as ever. It's an ongoing process. There's no arrival. There's no point at which you say "Oh, OK, done it, got it." It just doesn't happen. And that's true of any creative endeavor. For me, it's just a lifelong interest. I'm very much interested in the craft. I started by doing plays and it took me a long time to feel comfortable doing movies, working with cameras. I felt like I was a theater actress pretending that I was a movie actress for quite a while. Now, I just love the process of working with cameras and being on a set and trying to put a film together.
My grandmother Shelley was an actress and would tell me about working in the theatre, while my grandpa on Dad's side, Gerard Dynevor, was a big influence in theatre and a TV director.
I just didn't lock into being in the right role in the right big movie and it going huge. I did never really make the leap to hyperspace. Who's to say that it can't still happen. I just enjoy working, and feel fortunate to be doing the things that I am doing.
What I really honestly want is just to be working steadily... I would love to just be on a great TV show and have it run for awhile.
I don't feel competitive with other filmmakers. I think we're all working to the same goal. When I see great craft, I don't care who's doing it, what network it's on, where they came from. I just love it and celebrate it, and I just worry about the work I'm doing and what's right for the projects I'm doing.
I just tried to go out there and play with attitude, doing what I was supposed to do and knowing my role on the team. Doing what my team expected me to do every night, not just once a week. It was all about work and I was just a tough guy who would knock somebody down.
I was once chillin in my room, watching TV, just in a regular place.. And now I'm in this big world, living my dream and, you know, doing what I love. It's just crazy how it all came around.
The interesting thing about TV drama that's kind of nice is, I'm just an actor. I'm doing my role.
But when I did think about it and looked at the whole package - the producers behind the show, the writers, the cast I would be working with - I would have been a fool to turn it down just because the role for me was another gay role.
Working on a set and working with actors, that's all the same. The moment you're doing it and you're in the moment, you don't have time to think about it. You just have to make it as good as you possibly can on the moment.
Possibly. I know on set, they were talking about ‘oh, a sequel’ or something. That would be way down the road, because this one we just finished. So, [I’m] not even thinking about that again. But they could be thinking about it. That would be fun.
Carey Mulligan is completely self-possessed. She knows what she's doing, and again, quite like the big-hitters I was talking about, my job was just to feel and reflect back the amazing performance coming my way. If anything, I was slightly pathetically flying in her tailwind. She's an extraordinary actress.
Beyond that, it gets down to the nuts and bolts of discipline - not a tradition or genre, I don't care about that, actually - but discipline in the sense of just working on music and working on thinking about music. It doesn't matter if it's jazz or not. It's about how we listen, how we interact, how we guide our attention when we're listening, and how we can refine what we're doing musically.
The British model, which I've always thought was great, is that you do a TV show and then they sell it. Then you can buy it at the video stores forever, so it never went away. But American TV used to be if you had a show and it got cancelled, then it never existed. It was just this thing you heard about and you couldn't see it again. There is something so great about shows getting released and people getting to watch them over and over again. It definitely takes the sting out of it.
I haven't the faintest notion what possible revolutionary role white hetero- sexual men could fulfill, since they are the very embodiment of reactionary- vested-interest-power. But then, I have great difficulty examining what men in general could possibly do about all this. In addition to doing the shitwork that women have been doing for generations, possibly not exist? No, I really don't mean that. Yes, I really do.
I'm forever being told that I'm an odd-looking actress, so it's great playing parts where there's no vanity. You just look as rough as you possibly can!
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