A Quote by Aimee Bender

I love the idea of numerology, but I don't really believe in it. But I like thinking about what numbers convey. — © Aimee Bender
I love the idea of numerology, but I don't really believe in it. But I like thinking about what numbers convey.
I really like even numbers, and I like heavily divisible numbers. Twelve is my lucky number - I just love how divisible it is. I don't like odd numbers, and I really don't like primes. When I turned 37, I put on a strong face, but I was not looking forward to 37. But 37 turned out to be a pretty amazing year.
The trouble is that all-encompassing though information technology may be, it will always convey facts and numbers ... what it does not convey is perception, belief and motivation.
Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?
When I believed in astrology and numerology, people made fun of me, but today there are so many channels just dedicated to astrology and numerology. I now regret that I didn't start a channel on this. But then, I am happy in life. I don't dwell upon it.
Prime numbers are what is left when you have taken all the patterns away. I think prime numbers are like life. They are very logical but you could never work out the rules, even if you spent all your time thinking about them.
I never thought of what I was doing as a way to sell the NFL. I was making movies about a sport that I loved, about players and coaches that I respected. I wanted to convey my love of the game through film. And most artists convey their love through art. And my art and my love was expressed through film.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
Three quarters of the American population literally believe in religious miracles. The numbers who believe in the devil, in resurrection, in God doing this and that - it's astonishing. These numbers aren't duplicated anywhere else in the industrial world. You'd have to maybe go to mosques in Iran or do a poll among old ladies in Sicily to get numbers like this. Yet this is the American population.
I think photography is closest to writing, not painting. It's closest to writing because you are using this machine to convey an idea. The image shouldn't need a caption; it should already convey an idea.
What I love about photography, and it's the same thing I love about acting, really, is that it forces you, like, right into the moment, where you can't be distracted, where you can't be, like, thinking about other things or ahead of yourself or behind yourself.
When you read about the real history of where feminism comes from, it came from a very political point of view. I don't believe in bringing any politics to an idea like feminism. I love the idea that women should be celebrated, but I also believe men should be, too. We need both - yin and yang.
When we're believing, we're not really thinking, because the belief has walls: "This is what I believe." So what I believe is like a box, and we're taking the energy of our thinking and putting into a box of beliefs, pretending that we're thinking. But we're really stifling our own energy. We create these mental stresses and frustrations, because we're blocking our spirit, so to speak.
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.
I feel like really thinking about art and really appreciating it and learning the language of it just makes you more of a connoisseur. I believe that.
The casinos believe in math (and I don't mean numerology).They believe in the power of percentages and short pays, not in the power of magic stones, amulets and omens.
The revolution of ideas that will save us is a revolution of goodwill, of compassion, and of higher thinking. I believe that they outnumber the people who would choose fear. But they are not a particularly politicized force. If you look at the numbers of people buying books about revolutions from within and personal transformation as the key to global change, the numbers add up to a much greater audience than most people realize.
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