A Quote by Aimee Bender
One thing I don't want to feel is marketplace pressure, so I'm really glad I enjoy teaching because I can rely on that for a salary. I think it would be such a different game if I had to write a book that has to sell well.
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I'm glad I wrote them when I did because I think if I were to write my first novel now, it would be a different book, and it may not be the book that everybody wants to read. But if I were given a red pen now, and I went back... I'd take that thing apart.
I always had that joy of the game in my eyes everywhere I played, because it was the best thing, but Brescia probably had less pressure. Maybe people might perceive more enjoyment because the pressure was different, but it was the same. I enjoyed the pressure, no problem!
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
I go into a gallery or museum, and I realize that I don't have to formulate any opinions if I don't want to. I don't have to think this thing through and write about it at any great length. I can think about it if I want to; if not, I can just walk out. So I can enjoy painting really a lot more than I could when I had that sort of pressure.
If anything, I feel a bit of pressure to write about less disenfranchised people, because I'd probably sell more books that way and would've already had some hot property that I could've sold to Hollywood.
The format of the book was the idea of my wonderful editor, Stephen Segal. Stephen and I had worked together before, on projects for the Interstitial Arts Foundation, and when he got the idea for an accordion-style book, he called and asked if I could write the story for it. I told him that I would love to try! And I knew it had to be a love story, because that's the sort of story you really want to hear from both perspectives. I mean, imagine if Pride and Prejudice were told from Darcy's perspective as well as Elizabeth's. It would be quite a different story!
Seriously, you know - I love to write. I enjoy the process; I enjoy the different processes, because writing for film and television and graphic novels is all very different. So I've never had the feeling of, 'Oh, you have to do this one thing.'
I think one of the reasons that I love the fans that have stuck around, because I really enjoy writing different kinds of songs. I don't know if I write them well or not, but I can write them.
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
After a while, you start to realize that you should write a book you would want to read. I try to write a book I would enjoy.
It's really, really eclectic. It's not a business book [Girlboss], but it's still a book that should make you want to get up and do things and think about your life. And for a book that looks that beautiful on a coffee table, I think that's a very special thing. So it's hopefully a new genre I guess, of book. It was so fun to put together and fun to write, that was really a pleasure.
I am glad there are things in the Bible I do not understand. If I could take that book up and read it as I would any other book, I might think I could write a book like that.
I'd love to write a book called 'How to Raise a Virgin.' Seriously, I think a book about that would sell.
The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.
If the audience is responding very well to comedians that are hacks, and I don't do well, I don't feel as bad, because I feel like their taste is different than mine. They're laughing at somebody I would never laugh at, so that makes it okay, because obviously our tastes are not in the same place. And comedy is subjective, so I feel like maybe the failure wasn't all mine. I don't think they ever would have really enjoyed me. So sometimes that's a little easier, but not much.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
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