A Quote by Aimee Mann

I certainly understand that we're all trying to make a living, but I'm not thinking about that when I'm making it. And if that's your sole motivation, it's going to reflect that narcissistic greed and you're going to hear it in the music.
I certainly understand that we're all trying to make a living, but I'm not thinking about that when I'm making it. And if that's your sole motivation, it's going to reflect that narcissistic greed, and you're going to hear it in the music.
Maybe you're going to a concert thinking you're not going to hear anything but music. But you may walk away from there with an answer to a problem that you're carrying around with you that you didn't think you were going to hear about.
If the only thing that you want to do is make money - if that's your whole motivation - I think you're lying to yourself. If the only motivation you have is to make money and make it, what's making it? Oh, you get a yacht or an island. Well, you're going to need someone to be on that island. You're going to need people, one way or another.
When you write a program, think of it primarily as a work of literature. You're trying to write something that human beings are going to read. Don't think of it primarily as something a computer is going to follow. The more effective you are at making your program readable, the more effective it's going to be: You'll understand it today, you'll understand it next week, and your successors who are going to maintain and modify it will understand it.
I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.
I'm touched by the Beatles. I want some of the music I do to reflect that. Here I am. I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that. Here I am. I'm touched by Jon Hendricks. I want some of my music to reflect that. And when I write, you're going to hear it.
I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.
I used to play flute and clarinet at school, and although I wasn't thinking about making a living or getting a pay cheque, I already knew I was going to play music all my life.
You have to trust your instincts and hope the fans like what you do, but you don't gut check with the fans. If we're going to make a series, people are going to have a lot of opinions and if there's one overwhelming majority or one thing you continuously hear repeated from the fans, you certainly take that into account going into next season.
If you're going to make a comedy and if your sole interest is in making people laugh and feel good and entertaining them, then you check your ego at the door.
I'm always thinking about that young girl or young boy who doesn't quite know if their music, their messaging, their imaging, their voice is going to pop, if people are going to understand them. So I represent the other and those who feel like they don't even want to be normal. They embrace the things that make them unique.
Greed arises only because your present moment is empty, and to live in an empty moment hurts very much. To forget it you project greed into the future, thinking that tomorrow things are going to be better, a lottery is going to open in your name. But of course you have to wait for tomorrow, it cannot be just now - and tomorrow never comes. All that comes is always the present moment, which is empty. Greed is because we don't know how to live the present moment in its total richness.
It's not the music you hear in your head that other people are going to hear. You have to be able to make it true enough to the image in your head, and that's where technique and technology come in, for sure, and knowledge. It's not true and will never be true that someone who knows nothing can sit in a basement and make great music.
What you see with your eyes when you're making music is going to have a profound effect on what you hear.
Occupy Wall Street means making Wall Street and the corporate power elite understand that the people affected by the binge of unregulated greed are not going away, and they are not going to give up.
Music is something I can't stop. Whether people are going to hear it or not, I'm still going to make music.
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