A Quote by Aimee Mann

If you're an artist trying to put out your own record on your own label, it's hard to get a distribution deal because no one wants to sign a deal with one entity. They want to sign distribution deals with labels, who have lots of product, lots of artists.
A development deal is an in-between record deal. It's like, a guy saying that he wants to date you but not be your boyfriend. You know, they don't wanna sign you to an actual record deal or put an album out on you. They wanna watch your progress for a year.
I was forced to be an artist and a CEO from the beginning, so I was forced to be like a businessman because when I was trying to get a record deal, it was so hard to get a record deal on my own that it was either give up or create my own company.
Times are completely different now. If you're a brand new artist with a record you want to release to the masses, I would suggest you try and get it hot yourself first. This way you can create your own demand so you'll end up having the option of demanding what you want if you do decide to sign with a label. If you don't and you still get on hot on your own, you then have the ability to reap all of your profits.
I don't agree with the way labels are set up. I don't agree that anyone should sign 360 deals or sign away their publishing or take most of the infrastructure that's included in a formal deal.
I think labels for the most part want to sign new discoveries so that that label alone is seen to be responsible for the rise of the artist. Not many labels want bands who have already made their mark, because their success is usually attributed to some other label somewhere else at another time.
You sign your life away, basically, when you sign a record deal, and if you have a platinum album, then you go back in and renegotiate.
I wouldn't tell nobody to sign no slave deal or sign your life away or nothing like that, but if the deal is right and if it benefits you, you'd be a fool if you did not take advantage of it.
I'm not [a Buddhist]. The whole point of anything that is really, truly valuable to your soul, and your own growth, is not to attach to a teacher, but rather to find out what the real deal is in the world itself. You become your own guide. The teachings can help you, but really, we're all here with the opportunity the reality of hereness. We all have that. I trust that...I'm just not interested in labels. I find all of them constrictive. They're hard to wear. And they're hard to wear because we're always - hopefully - growing.
It's always boiled down to the quality of your music and the quality of your deal with whoever's distributing your music: There are artists who sold a lot of records and didn't make money because of their deal, and artists who didn't sell nearly as much who made a great living because they own their masters.
You can now be a master of your own destiny. I'm not sure why you would sign up with a record label.
When you sign a contract, that's your deal. Everyone has different deals anyway.
I promise you, a lot of it is luck. But you make your own luck by working really hard and trying lots and lots of things.
The people who are competing business-wise out there want what other successful labels and artists have. I don't want what they have; I want my own path, my own sound, my own identity. Record labels care nothing about identity or artistic freedom, they want good business.
When I first started out in the music industry and went to Elektra Records, I didn't go to be an artist, I went to get a record label started. And they said in order to have a label deal, I had to be an artist - so that's what I did.
To drive though the streets of Manhattan to sign a record deal was like a movie. It was crazy - pretty hard to put into words.
I've started my own record label - Jeepney Music - and I want to put out my own stuff and also stuff by other Filipino artists.
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