Walking the runway with Alexander McQueen, I really had to dig deep. You're with Kate Moss and Naomi Campbell. I was the first person out on the runway, but I thought, 'I have done the Olympics, I can do this.'
So to get back to being intimidated, yes, you get intimidated when you're on the runway with Naomi Campbell, who is the best runway model in the world.
When I started working, the big models were people like Naomi Campbell and Kate Moss. It was a time when there were models who had real personalities and individuality.
I like how powerful fashion makes me feel. I live for that grungy-prissy juxtaposition that Kate Moss, Naomi Campbell, and Drew Barrymore wore in the '90s.
When I first started modeling, I had the chance to walk the runway with Naomi passing by me, but I didn't know anything about supermodels. But when I saw her backstage, she complimented me on my walk, and I thought she was so nice - everyone was freaking out that I didn't know who she was.
I don't feel that comfortable being on the runway with a G-string. I shoot G-strings with Victoria's Secret, but on the runway... It's really about the moment. I work with professionals. Professional people make everything look perfect, they make everything that you're wearing look great, if it's in a picture or on the runway.
I look up to every model who is confident and who knows what they want in life, and who is goal orientated. So the models like Naomi Campbell, Cara Delevingne, Jourdan Dunn, Kate Moss. I look up to them because they are focused on where they want to go.
I was one of the first print models to go on the runway because I wanted to do runway. When I started doing the shows, I was the only print girl there.
When I walk down the runway, my main goal is to not think about the people watching. The idea of all eyes on me would make me too uncomfortable. As I step on the runway, I take a deep breath, focus on a point in the distance, and go!
Christy Turlington, Naomi Campbell, and Linda Evangelista - those models got bunched together. I was always asked to be bunched in there, but I didn't want to be part of the herd. The only one I really had a problem with, though, was Naomi.
I had left the runway because I had come to believe that it was questionably relevant and appropriate, because we were creating clothes that, to a large degree, never ended up making it to the stores. And the runway was being seen in markets where those clothes weren't available.
I don't even think when I'm walking down the runway. I don't really breathe either.
At the age of 60, you see how short the runway is in front of you and how long the runway is behind you, and that you don't have much time left.
I can remember years ago, when Kate Moss first came around and there were so many articles. Everyone was saying that it was heroin chic - that she was a waif, that she was anorexic. But Kate would eat just as much as anybody I knew - the media had just turned her into this thing. It must be really, really hard when you're the object of that.
I have no desire to sell Rent the Runway. I have a 50-year vision for Rent the Runway, at least, to change consumer behavior and actually put the closet in the cloud.
If Kate Moss hadn't been booked when she was 14, Kate Moss might not exist.
Shorten the runway and you have fewer takeoffs and landings, shorten the runway and you enhance safety and reduce the noise, ... It also reduces the justification for the buyout as it is now being proposed.