A Quote by Ainsley Harriott

People know that when they watch an Ainsley programme or get an Ainsley book it's going to be something that is approachable and something that is achievable and ultimately something that is rewarding.
'The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch.
I always tell people go see something you don't know about. Something you didn't read a ton about on the internet. Something that you don't know what's going to happen because I think that kind of pleasure of finding something new and discovering it, creates a hunger in you.
There's always some pressure to achieve something. You make a pilot, but you don't know if you're going to get a show. And then, you make a show, but you don't know if people are going to watch. And then, people watch, but you don't know if enough people are watching.
I'm inspired by whatever I see, feel, hear about, watch on the TV...anything. It can be something that I really need to get off my chest so I write or something a friend is going through which gets my thoughts going.
A film, since it is primarily a visual medium, should really be like a silent film. You should be able to watch something and understand what was going on and use voice when you need to communicate something you can't necessarily communicate visually. The book is the opposite. The book is an inner monologue which is beautiful.
You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'
If I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
I think 'Pretty Little Liars' is going to be hugely popular for adults, for kids, for girls, for guys, you know, something for everyone to look at, and the stories are going to be great. There's suspense every week. The friendship is really fun to watch. I think it's going to have something for everybody.
I am pretty expressive with my emotions. I don't think something and say something else. I don't know if it's something I should be proud of or to watch out for. Maybe I am not politically correct. I don't know if that's a crime.
To work under Brendan Rodgers would certainly be a good move for Ainsley Maitland-Niles but the most important thing for the player is to go somewhere he can play in his preferred position, which is in midfield.
I had self-doubt about whether my story was interesting to people. I didn't want to write something that was anecdotal. It was important to me that people would get something out of my book. I want people to read it and say, "Now I don't feel so alone," or "I'm going to remember that next time I'm being an asshole."
We are literally like sisters: you know their ins and outs; you know if something is on their mind, that something's bugging them. We know when something is going wrong, and that instinct you can feel instantly.
I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
As an actor, I enjoy variety. That's a big thing for me. So, if I'm going to put my name to something and commit to something that's going to take up a lot of my time, it has to be something that I know is going to be enjoyable and worth my while. Otherwise, what's the point?
When you know you made a film that people are going to watch, that's just really awesome; you know you did it for something, you know you shot a film for people to watch it.
When I'm on the field, if something doesn't go exactly as it's planned, I'm going to say something before a coach is going to say something. I'm going to get to it quicker and try to get it corrected.
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