A Quote by Ainsley Harriott
People can be comfortable, really, once you invite them into the kitchen.
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I invite a lot of my friends to some of the performances that I do locally, and some of them know that I'm involved with music, but they're not quite sure how. And so it's kind of fun to play golf with a lot of my friends and then invite them to hear me sing once in a while.
I think that when you invite people to your home, you invite them to yourself.
You can invite people over or make your kids their favorite food - that usually inspires me in the kitchen.
Those people who think they know the Gospel, and it doesn't have any meaning for them, they're the people we have to find a way to touch, to invite once again to the embrace of Christ.
But writers INVITE ghosts, maybe; along with actors and artists, they are the only totally accepted mediums of our society. They make worlds that never were, populate them with people who never existed, and then invite us to join them in their fantasies. And we do it, don't we? Yes. We PAY to do it.
One really interesting thing for me was learning about kitchen etiquette, and the differences between an Indian kitchen and a French one. They're different in atmosphere, and also in how chefs maneuver within them.
Conferences are really like parties, and an A-list party is one where A-list people are in attendance. You figure out who are the really important people to invite and get them to show up as speakers or as guests. Then everybody wants to be there. If you don't know who the important people are, you shouldn't be doing a conference.
Usually, what happens with women that aren't comfortable with fighting is they're afraid of getting hurt, or hurting someone. All it usually takes to get them going is to make them feel safe, and make them feel like they look cool while doing it. And once they get a little more comfortable, they're gung ho!
I love doing kitchen renovations where we're opening up the kitchen and creating open-concept main floors. I think that's one renovation that really changes the way people live in their homes.
I've usually never felt comfortable shooting until things were kind of claustrophobic, but ballet dancers need a lot of space, so the sets that I designed had to be big. Normally, I'd design a kitchen that was half the size of a normal kitchen, just to make everything feel kind of womb-like, but the kitchen in a ballet would have to be like 100 feet wide and just as long.
But once you publish a book, doesn’t it by definition become the realm of public discourse? Otherwise, wouldn’t we just write books and print them out ourselves, and give them to specific people we felt comfortable giving them to–like gifts? Isn’t publishing sort of a social contract?
Sometimes during my set I invite volunteers up on stage to get speed-roasted and I'm worried that I may have hundreds of people rushing the stage all at once. Luckily I'm a black belt in karate and I can fend them off.
If I let her in I'm doomed. It's like inviting a vampire into your house. Once you've invite them in, that's it, you're good as dead!
How do you make people do the best work? You make them feel comfortable, so you can feel comfortable - and then you can have a really good ballgame!
I'm more likely to not invite someone back for not talking. If someone talks a lot, I can usually shut them up and control them. But with people who don't talk, if they don't really want to talk, they probably shouldn't be on this show, and that's fine. They're talented people with things to say, but sometimes people say what they have to say through other means than arguing.
I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
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