A Quote by Ainsley Harriott
I do feel that over the years from watching programmes that tell people 'you're not good enough,' I just don't like it.
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It just feels good to know the work I did, people like it and love it - and continue to like and love it. It makes me feel real good that, after 20 years, 'Regulate' is still in heavy rotation all over the United States and all over the world.
I feel like the job in editing is to let the movie tell you what it is. It's like sculpture. You just start taking away, you add a nose here, you cut off like the side of the cheek over here in the crease and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough'... I can't tell you how wonderful it feels.
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough,'... I can't tell you how wonderful it feels.
I feel like the job in editing is to let the movie tell you what it is. So again, it's like sculpture. You just start taking away, you add a nose here, you cut off, like, the side of the cheek over here in the crease, and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
I think when YouTube first came out, everyone was thinking people were just going to watch five-minute shows from now on and that people didn't have the patience anymore to watch longer programmes. But instead, everyone is binge watching and consuming ten-hour programmes and box sets of shows, so it is really interesting.
A lot of people feel they spend enough time watching me go through the good, the bad, and the ugly, so they feel like they know me and are a part of it. I'm kind of like a part of people's families. You can't buy that kind of connection with people.
I feel like I'm 100 years old. I can't tell you what I did today. I can't tell you what I did for seven years. I can't tell you. It happens so seamlessly - I'm just floating along and seven years go by.
Most people are fortunate enough to stay two, three years in this game. I've been in it for seven years, and I feel like now, I'm just beginning.
There was a moment when I was watching Martin Lawrence and Will Smith in 'Badboys' that I felt, you know, inspired. I don't know if I was proud, because so many people do the work. Everyone's part of a team that develops over the years and gives people chances. There have been some good moments watching people develop.
Architects typically inherit programmes or sites. We maybe twist the programme a little bit, bring our own invention into it, and we feel perfectly happy when we walk away. It doesn't feel like quite enough.
All the ladies can feel sexy and have fun in my clothing and that makes me feel like I am offering something truly unique to the people who have been gracious enough to show me such love and support over the years.
You know when you're hungry and excited and you feel humble about it? I like that. In the past, when things were not clear, I think I wasn't ... I didn't have my feet on the ground as much, maybe, 10 years ago. So I just feel like this is a good place to be now, to feel that you want to tell stories from this place and that you're excited to tell stories from this place because you know what you love. I know what I love right now.
Adulthood isn't an award they'll give you for being a good child. You can waste years, trying to get someone to give that respect to you, as though it were a sort of promotion or raise in pay. If only you do enough, if only you are good enough. No. You have to just take it. Give it to yourself, I suppose. Say, I'm sorry you feel like that and walk away. But that's hard
I feel that I have a good enough social radar to tell good people from bad people.
Many people put a green button on their collar and feel good, just like a lot of people put an American flag on their lapels and feel patriotic. It's not enough.
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