A Quote by Aisha Tyler
I remember leaving the first 'Matrix' movie feeling completely radicalized, completely changed. I think we all, from our ordinary lives, like to think about putting ourselves into these extraordinary situations and wonder how we'd respond.
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I see the first 'Bourne' movie as really kind of a fulcrum in changing the modern action film, where things are really gritty and really character-driven. Think about how the entire Bond franchise was completely radicalized by Bourne.
So that's how we live our lives. No matter how deep and fatal the loss, no matter how important the thing that's stolen from us--that's snatched right out of our hands--even if we are left completely changed, with only the outer layer of skin from before, we continue to play out our lives this way, in silence. We draw ever nearer to the end of our allotted span of time, bidding it farewell as it trails off behind. Repeating, often adroitly, the endless deeds of the everyday. Leaving behind a feeling of immeasurable emptiness.
I've spoken about this completely independent of this movie prior to ever being attached to this film that as a kid the first movie that I remember seeing that resonated with me was the Wizard of Oz. I think just visually the color, the spectrum of it and how fantastical it was and how much you wanted to live in that world, for a nine-year old was so magical and so grand so I have the greatest, fondest memories of it.
I actually didn't even think about "Josie and the Pussycats" . I was like, "Oh yeah we kind of took some shots at MTV," but I think everyone had a good sense of humor about it. People either got that movie completely, or completely missed it and dumped all over it.
I believe we have two ideas about how movies are made in our heads. Idealizations. Platonic ideals. One of them is of a movie that is completely uncontrolled, and another is a movie that is completely controlled. The auteur theory vs. cinéma vérité.
I think that those of us who are ordinary disappear easily into the backdrop of life and we take things for granted. We often wake up in our lives and wonder how we got there. But the characters I create, the people I am drawn to, are quite extraordinary (and not always in wholesome ways), and they offer us the chance to understand who we really are and how we became who we are.
Coronavirus has completely changed how people think about where or how you should work.
Motherhood has completely changed me. It's just about like the most completely humbling experience that I've ever had. I think that it puts you in your place because it really forces you to address the issues that you claim to believe in and if you can't stand up to those principles when you're raising a child, forget it.
The two designs are completely different. The first is totally futuristic, the second is more classical. You can of course get very excited about doing something completely out of the ordinary, just like the Olympic stadium in its time. But each to his or her own taste.
Being a mother is a completely different feeling and my life has changed completely. Plus I have a new found respect for mothers.
I think people are great in many different ways. So, I think some justices are great because they have extraordinary wisdom, they have an understanding of how to apply the law in their times in a way that's completely consistent with the text of the law and the purposes of the law, and in a way that's completely right for the times in which they live in.
I think the movie, 'Joy,' has so many touchpoints with so many people because it is about the ordinary, but a lot of the times, the ordinary is extraordinary.
There are people accusing me that I'm sick, that I'm a danger to morals, western civilization and basically everything under the sun. And they've got these wild stories about me, completely off the wall, completely untrue. They thought them up and it makes you wonder what goes on in their brain, but of course, they don't consider themselves sick. They think they're normal because they don't dress like I do.
Nostalgia is also a dangerous form of comparison. Think about how often we compare our lives to a memory that nostalgia has so completely edited that it never really existed.
'Not A Love Story' is inspired by true events, but it is not based on those events completely. When I first read about the Maria Susairaj case, I was fascinated with the psychological aspects, that two seemingly very ordinary people can go completely berserk.
So the fact that the first movie about Steve Jobs was made by a guy who was completely entrepreneurial and outside the film industry, I think is very appropriate.
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