A Quote by Aisha Tyler

As a comedian, it really gelled when I started doing standup. Because standup is so much about bravery, especially in the early days. There is no doubt that it is going to go terribly for you over and over and over again. But you cannot get funny without bombing.
I'm a standup comedian who gets to act. I'm never going to not do standup. I love doing it and when I go through periods where I'm doing a lot of acting work, I still do standup.
As far as standup, everybody has a vehicle they are driving. If what you do works, it's like playing golf. If you can master that one swing over and over again, you will be successful. That's what standup is. You have to have a central move and it has to be yours. You have to own your comedy, own what you do.
Podcasts feature comedians being as funny as they can be in a non-censored situation. It's really akin to standup in a way. When you go see a comedian in standup, that is the most pure, unadulterated form of their art.
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
Here's the thing about standup directing: not that hard. As I said on Twitter one day, or maybe it was Instagram - sorry, I want to keep my platforms straight - it's essentially the same five shots over and over again. Seven if you're ambitious.
I started doing standup because of Hugh Grant's best-man speech in 'Four Weddings,' which is basically a standup routine.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
I continue to do standup because there's a connection with a live audience - there are skills that you do learn as a standup comedian that help you on a set.
Over the years, I've realized that I have as much in common with the performance artist, the standup comedian, the screenwriter, as I do with the theologian. I'm in an odd world where I make things and share them with people.
I never decided I wanted to be an actor. I just started doing standup because I love standup. Everything else has sort of been these tiny steps leading to this.
I don't think you can ask anybody in any walk of life to do anything at a championship level without doing it over and over and over and over and over again in preparation.
I was a kid, and I would watch standup comics do the 'Tonight Show,' and if Johnny Carson liked you, he'd wave you over to the desk; that pretty much meant you were about to be the most successful comedian in the country for the next few years.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
If you're going to be a good standup, or a successful standup, or a standup who can work for money, you have to eliminate the possibility of dying quickly.
Genuinely love doing standup and I'm a comedian first, so for me what makes my standup special is the fact that I don't have to adapt or adjust. I am who I am. I appeal to everyone, hence in the movie doing a world tour.
There's this other world where all comedians want to do is make funny videos. Typically what's happened in the past is that a comedian gets a standup career and over the course of 20 years builds it up to the point where Comedy Central gives them a sketch show.
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