A Quote by Aisha Tyler
I'm trying my hand at directing. I'm doing an independent movie that we haven't started casting yet, but it's like an edgy version of 'Lethal Weapon' and '48 Hours,' only with two women in it.
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To me, in a perfect world, you have the flavor and the magic of movies like 48 Hours, Lethal Weapon and Bad Boys.
Look, if somebody said tomorrow, "We're making a Lethal Weapon formula movie, but it's incredibly well-written and for two women," I'm not going to say, "Oh, forget it, it's formula." I got an idea the other day, that somebody should write a typical formula movie, a Lethal Weapon, and make it with me and my dad. It could be all father-and-daughter capers. But I'd want someone really weird to direct it.
With an independent movie, it's like, 'Okay I know what I want, and I got to go for it.' I just got to get the A version of this. Occasionally we'll try a B version, but not often. We'll just get what's scripted and try to do that as best we can, so you sort of edit while you shoot an independent movie.
It is hard directing and being a mother. The hours are terrible and you have to sort of suspend your life when you're in production. I can absolutely see why there are so few women directing, because it's physically a very demanding thing to do. Fathers can only do it because they have wives at home doing all the other stuff. I can only do it because I have a husband that helps with the kids at home.
It is hard directing. The hours are terrible and you have to sort of suspend your life when you're in production. So, being a mother is very hard. I can absolutely see why there are so few women directing, because it's physically a very demanding thing to do. Fathers can only do it because they have wives at home doing all the other stuff. I can only do it because I have a husband that helps with the kids at home
I think when I was getting into directing, or wanting to be a director, when I was a teenager, the two films that really inspired me were Raising Arizona and Evil Dead II. And in the case of the former, I thought, "Wow. Why don't all comedies look like this?" And then as I started doing comedy, particularly when I started doing it on TV...
Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"
I love doing television; it's such a brilliant way to tell a story over six hours rather over the two hours of doing a movie.
I started in the P.A. world and craft service and storyboard artist, with the eye on the prize of directing. When I was directing second unit on Babel, I ended up casting most of the unknown parts. In these weird circles, I was this guy who found these kids on the streets.
That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.
I relieve myself from the rigours of directing by casting the movie correctly.
You have to realize, in real life, the gun battle lasted for over three hours, and the movie's only two hours long. My hat's off to all those stuntmen who laid it on the line and hurt themselves doing what they had to do to get that done because in real life, we all died, and the only reason I'm sitting here is because of modern medicine.
There are those who advocate, and those who do. I'm not trying to slight my peers, but there is a difference between using a soapbox and actually getting your hands dirty. I've spent not only years and millions of dollars but hours and hours and hours of my time doing what I do, and that's very different from what anyone else is doing.
I love directing. It's something I started doing in theatre when I was in university in Chicago and I started a theatre company right out of college and was directing for many years.
I took all my TV experience and what I learned about - by writing and directing and bringing a movie to Sundance - about the realities of the independent film market: 'Transparent' is the marriage of those two situations.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
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