A Quote by Aisha Tyler

For the record, I'm a clinical workaholic. — © Aisha Tyler
For the record, I'm a clinical workaholic.
I'm a workaholic, and a lot of girls don't know how to deal with a workaholic.
I think I'm a workaholic, but I'm a workaholic that is loving his work.
For quite a while I called myself a workaholic. I was proud of that label. Then one day it hit me; a workaholic is a label for an unproductive person.
When I released my first record, I was really in the middle of having made the decision to follow the clinical psychology path, which is competitive, rigorous, and fairly conservative.
I'm a workaholic. My listeners, I think, they know me as a workaholic already. But, you know, work is my love.
In the world of medicine, a trial refers to clinical research that follows a predefined plan or protocol. A clinical trial must comply with strict health, safety and ethical regulations determined by the Food and Drug Administration.
Students undergo a conversion in the third year of medical school - not pre-clinical to clinical, but pre-cynical to cynical.
I think the gold standard is a clinical diagnosis, that an astute clinician interacting with a child, interviewing the parents, talking with teachers makes the diagnosis based on some standard tests and also on clinical impression and skill.
As a medical doctor who chose a career in artificial heart technology rather than clinical practice, I decided not to take an internship, which is required for licensing. Instead, I work with invention, manufacturing, regulatory affairs, and clinical application of artificial hearts.
Like most arts, the link between the mind and the pen can chain you like an enslaved workaholic. Even on an intended vacation you suddenly have this killer urge to record whatever the vacation may teach.
When we talk about inequality in America, the great health centers being able to care for people who don't have means is really important. If you combine the research missions of these academic institutions with great clinical care, you get better clinical outcomes.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
This is the hallmark of a robust biological system: political parties can perish in a tragic accident and the society will still run, sometimes with little more than a hiccup to the system. It may be that for every strange clinical case in which brain damage leads to a bizarre change in behavior or perception, there are hundreds of cases in which parts of the brain are damaged with no detectable clinical sign.
I met Arcade Fire on their first record, 'Funeral.' I loved that record, and it was a record I was listening to while I wrote 'Where the Wild Things Are.' Those songs - especially 'Wake Up' and 'Neighbourhood' - there's a lot of that record that's about childhood.
Figure out a way to get back onstage because once you do it a few times you'll get over it. Unless it's like a clinical thing. I don't know about clinical like stage fright, that might be worse than what I'm talking about. But if it's normal stage fright get over it.
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