A Quote by Aisha Tyler
I'm just going to be the best version of me that I could possibly be and be as funny as I possibly can. I've just got to be myself and hopefully people will find me. And my audience did find me.
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It took me a while to figure that out and to realize what a gift that I had been given. And when I finally did, I dedicated myself to be the best pitcher I possibly could be, for as long as I possibly could be.
I would just say that I could share what served me, which was trying to find the best material that I could possibly find and make it better. When other celebrities and sports stars, or people that are successful in another area, cross over into movies, they're always encouraged to bring that same tenacity and that same relentless drive that you had to make it. You have to apply that to acting.
I just figured that, for me to get the best out of myself and do the right thing by myself, I really just needed to step away and find out what I really wanted to do and hopefully getting back to where my people are from and getting out bush could really re-energise me and help heal those wounds.
You have to go as hard as you possibly can, or it's going to be weak. Whenever I find myself not committing fully to a character, it's not as funny. It doesn't have that clear point of view, and you find yourself wandering all over the place, whereas committed characters make strong choices that are clear to the audience.
Writing is such lonely work that I try to keep myself cheered up. If something strikes me as funny in the act of writing, I throw it in just to amuse myself. If I think it's funny I assume a few other people will find it funny, and that seems to me to be a good day's work.
Sometimes when people get success they forget about the people that pointed them there or championed them into this position. I pride myself on really understanding. I wouldn't even call it keeping it real. I just call it keeping it me. When they tell me, "You're doing what you're supposed to do," it makes me go ten times even harder, because I know that there are people on the sidelines and they're watching me. They're cheering for me. I want to be the best me I could possibly be when it comes to them.
But the main thing I don't want to be is un-funny. That's really the mandate. Just whatever we're doing, make it as funny as we can possibly make it. And believe me, if the show starts going down, we'll introduce a baby. We'll do everything that they did on `Family Ties.' I'm not afraid of that.
I just need to find the best version of myself. Find improvements to what I've already got, rather than trying to remodel my game.
For me, funny is funny, and what's unfortunate is these comedians aren't being allowed to operate in rooms for everybody and that everybody can laugh and say, 'Okay, I find that person funny, and I don't just have to find them funny because they look like me.'
I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.
I did something that I told people around me never to do, which was, pay a psychiatrist. Why pay a psychiatrist when you can just come to me? I can help you with something going on in your life; even if I know nothing about you, I can possibly help you. That's just me being cocky like I am.
You've got to find a way to relate to people. I just did an improvised episode for Joe Swanberg's new Netflix show, 'Easy,' and it was a huge learning curve for me and taught me so much about fear and courage. But when you're present in the moment, the audience, it's incomparable.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I find myself doing fieldwork physically, in the tradition of anthropology. I literally go to the opposite end of the world, to the most exotic faraway places I possibly can, only to find the closest things to me when I get there.
If I believe that I became the best quarterback that I could possibly be, the best football player that I could possibly be... That's how I'm going to measure my career as a success or not.
I just assumed the world was full of solo percussionists. I couldn't find sticks or music or anything where I was, but that was expected because there was nothing there anyway. And I think that was possibly the greatest asset for me, just not knowing.
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