A Quote by Aishwarya Lekshmi
The set of 'Mayaanadhi' had a positive vibe. The shooting was during the rainy season. There were interruptions; some days we could shoot only one shot. But, we were happy in whatever we did.
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And some days, he went on, were days of hearing every trump and trill of the universe. Some days were good for tasting and some for touching. And some days were good for all the senses at once. This day now, he nodded, smelled as if a great and nameless orchard had grown up overnight beyond the hills to fill the entire visible land with its warm freshness. The air felt like rain, but there were no clouds.
As an actor, some of the most fun days I've had on set have involved shooting blanks all day - or better yet, on a micro-budget indie shoot in Texas, shooting live ammo. I feel guilty admitting this, but make-believe beating a man half to death for nine hours can also be strangely satisfying and, dare I say, good fun.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
When I first started in the industry, there were - this is prior to the era of computer graphics and all these digital tools - there were some pretty rigid, technologically imposed limitations about how you shoot things, because if you didn't shoot 'em the right way, you couldn't make the shot work.
I miss working with my friends and the fun we had. Working on the series was the best time I ever had on a set. I am disappointed that they cancelled the series when they did, because I felt that by the seventh season, we were really hitting our stride, and that episodes were getting better and better. Some people say that the show had run its course and that it was time to quit, but I disagree.
After three days of shooting with Donald [ Sutherland], I was the only one he worked with for the first three days of the movie [The Winter Of Our Discontent] because of the crazy schedule. We [shot] a lot of this stuff, some of it incredibly intense and emotional. We had never had a conversation during that whole time. We didn't have time.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
Our people were not happy. I knew at some point we were going to win. It's a little unfair, but that's the reality. To some degree, it became a one-game season for some folks.
Nothing prepares you for shooting in the sea. Some days the sea is choppy, some days the waves are long. When there is no wind, it's fantastic to shoot, but your brain is burning because of the heat. You are shooting hand-held and taking a crane on a boat, which is risky since you can get toppled over.
Wheaties was the big sponsor in those days (1940s). They sponsored almost all the baseball games in the majors and the minors. That was a lot of Wheaties. I think there were twenty-four boxes in a case and some of these guys were hitting twenty-five and thirty home runs a season. We had a dog in those days named Blue Grass and the players used to give us their Wheaties for him. Blue Grass loved Wheaties and so did I.
There were days, rainy gray days, when the streets of Brooklyn were worthy of a photograph, every window the lens of a Leica, the view grainy and immobile. We gathered our colored pencils and sheets of paper and drew like wild, feral children into the night, until, exhausted, we fell into bed. We lay in each other's arms, still awkward but happy, exchanging breathless kisses into sleep.
'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!
I always shoot at privates. It was they who did the shooting and killing, and if I could kill a wound a private, why, my chances were so much the better. I always looked upon officers as harmless personages.
I had some rainy days, I didn't handle those rainy days. I walked out without an umbrella sometimes. I'm going to be more mentally prepared for my downs, because there are going to be ups and downs.
The raw fruits of the earth were made for human sustenance. Even the white tails of rabbits, according to some theologians, have a purpose, namely to make it easier for sportsmen to shoot them. There are, it is true, some inconveniences: lions and tigers are too fierce, the summer is too hot, and the winter too cold. But these things only began after Adam ate the apple; I before that, all animals were vegetarians, and the season was always spring. If only Adam had been content with peaches and nectarines, grapes and pears and pineapples, these blessings would still be ours.
No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
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