A Quote by Aishwarya Lekshmi

I don't want to spoil the good name 'Mayaanadhi' has brought me. I am careful about selecting my next project and it's actually quite scary. — © Aishwarya Lekshmi
I don't want to spoil the good name 'Mayaanadhi' has brought me. I am careful about selecting my next project and it's actually quite scary.
I want to sustain the good name that I earned acting in 'Azhagiya Theeyae.' I am selecting my roles very carefully.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I want to do good films, with good content. I am not selecting projects based on language.
I feel shabby - because I've made a name, quite a good name, out of photography. And I still find myself asking the same questions: Who am I? What am I supposed to be? What have I done?
With Brexit and the U.S. election, it's become clear that a lot of people have been thinking a certain way. Nothing has actually changed yet except the fact that it's been brought to light, which is quite a daunting, scary thing to realize.
I'm actually called Bang, a quite common name in Denmark where I'm from, so it's not like me trying to come up with a very stupid name for people to remember me or something.
Tobin Bell wasn't obligated to do the second Saw film but he wanted to. I think they brought me into this film because there's a first time director, and my reputation is one of an actor who's there for the betterment of the project. I'm not there to better myself. I'm there to bring all my resources to the project to make it as good as it can be. In the end, that makes everyone look good.
I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
It is now. It is always now. Now is good. Now could be the best. My name is Catcher. My name was Catcher. My name...my name... I am... I am lost, I am found and then I am free and I am happy. When I jump over that edge, someone leaps with me, shoulder to shoulder. I smell kinship on him. Kinship is all. I'm not alone. Never alone. I land, earth below me, moon above. I am wolf. We are pack. And that is all I need.
Me in drag is kind of scary, actually. It's frightening. I actually look pretty good.
I am actually as good as everybody else pretends to be. It's scary.
I am hands-on in any project that I am associated with. I just don't want to put my face or name and lend it to a product that I'm not behind a hundred percent.
Youngsters are selecting dance as a profession and are aiming for an aspiring career in the field of dance. I am happy to see that we brought about that change and encouraged young people to opt for dance as their path.
When I look for the next project, it's always about, 'Is it going to push me out of my comfort zone? Am I doing something different? Am I working with people who are passionate about what they're doing?' At the end of the day, if I'm going to be bored on set, then I'm not gonna be happy.
My students frequently ask what their next project should be. My advice: immerse yourself in the music you love and you will find what you want to do; you will discover your next project.
What is scary to me is silly to somebody else. CG isn't scary to me. It's like comedy - comedy and horror are quite similar, in that there'll always be somebody who'll say, 'I don't think that was funny.' And it's the same with things that are meant to be scary.
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